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Window into the underworld of Dublin’s mean streets

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Watching Love/Hate should be approached in the same way that Wayne and Lizzie watch Nidge – there’s no need to go rushing at things. Which is why we’ve waited four weeks into the new series to proclaim what most viewers already know – it just gets better and better every year.

It might be the fact that there are comedic elements in the midst of such vicious brutality; it could be the incredibly strong, rounded characters at its core – or it might just be that it is the most realistic drama on the box anywhere at the minute.

God be with the days that Sunday nights were for The Riordans or for Dinny and Miley in Glenroe – now it’s the mean streets of Dublin’s inner city and a world that, thankfully, most of us know nothing about.

But those who do – the Gardaí, the tabloid hacks, the callers to Liveline – tell us that this is life as it truly is, down among the deadbeats, the druggies and the gangsters who crawl out from under their urban rocks.

When we first encountered Love/Hate it was all about John Boy and Darren; it was all too styled and pretty and frankly unbelievable as a gritty drama. It was style over substance and the biggest crimes we witnessed were crimes against fashion.

That’s not something you’d throw at it now – and it’s not just the storylines or the realism that hook you; it’s the depth of character that allows you to see the softer side to a scumbag like Nidge, or to laugh along with Fran, who might well be the most malevolent man on the box.

It’s also the fact that Love/Hate isn’t just an hour about criminality – we’ve seen Nidge’s mother die on the eve of his own little lad’s first Holy Communion.

We’ve seen a superlative acting performance from Killian Scott as the brain-damaged Tommy – damaged, it should be said, because Nidge beat him within an inch of his life with a golf club – as he proves the weakest link in the tiger kidnap gang by returning to the scene of the crime.

He’s also singlehandedly restored the economic fortunes of fizzy orange.

This year we’ve finally seen the cops – as Moynihan and his gang deploy an unorthodox approach to flushing out Dublin’s drugs vermin, not least by trying to split the gang by putting pressure on Tommy and then setting up Elmo as a rat … by spraying graffiti on the wall of his flat block.

For more, read this week’s Connacht Sentinel. 

CITY TRIBUNE

‘World in a Window’ – a unique perspective of lockdown life

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Helium Artist Chelsea Canavan, Galway-based artist and parent Yvonne Cullivan and her son at the launch of Helium Arts’ ‘Our World in a Window’ exhibition at Galway City Library. PHOTO: ANITA MURPHY.

A new exhibition, Our World in a Window, which is currently running in Galway City, focuses on the experiences of children who have been living with long-term health conditions during lockdown

Facilitated by Helium Arts, the national children’s arts and health charity, the exhibition features animations and mechanised artwork produced by young people from across Ireland who took part in Helium’s remote programme ‘Distance Creates’.

Our World in a Window can be seen until August 4 at Galway City Library before it goes on tour to Dublin, Cork, Kilkenny, Limerick and Longford.

Since last February, children aged 9-12 who are living with long-term health conditions have been exploring the world of animation, guided by Helium artist, Chelsea Canavan. From tinfoil and claymation characters to foam sculptures and hand-drawn illustrations, these young creators have brought their stories to life in unique and imaginative ways.

The origins of Our World in a Window date back to the beginning of Covid. That was when Helium Arts began adapting its usual in-person programmes, moving to digital and postal formats to allow vulnerable young people to be creative from the safety of their homes. The goal was to offer respite during a time of social distancing and to support the youngsters’ mental health, which is part of Helium’s brief.

In non-Covid times, Helium Arts supports sick children via arts-based projects in hospital, community and public settings. More than 5,000 children and their families have availed of its service since 2010.

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

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CITY TRIBUNE

126 Gallery fundraising for new studio spaces

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126 Gallery and Studios, based in St Bridget’s Place in Galway City

The artist-run 126 Gallery and Studios, based in St Bridget’s Place in Galway City, has established a satellite studio space on nearby Saint Francis Street, in response to members’ need for working spaces that are affordable, secure and easy to access. The new Barton Studios will host four studio spaces and the artists using them will have access to 126’s main facilities.

Submissions for Barton Studios and any further spaces are open to current members of 126, in recognition of those artists and creatives who have supported the members-run gallery over the past 16 years.

The group is currently raising money to fit out the studios and because normal methods such as table-quizzes and its ‘drink and draw’ nights are out of bounds, the 126 steering committee has turned to GoFundMe to try and raise €2,000, which is what they estimate it will cost.

If any extra money is raised, it will be used to subsidise the rest of costs for the studios to artists for the remainder of 2021. Some €1,800 would be needed to lower the rent to €50 per week for each artist. A breakdown of all costs will be posted on 126gallery.com and made available to donors.

Initially, the studios will have a communal computer, a private workspace with wi-fi, and access to all resources at 126’s main facility, just six minutes’ walk away. Active studio members will have free 126 membership.  The mission of 126 is to support its members to work and to access opportunities, supports, and spaces. With that in mind, the gallery team is available for one-to-one conversations to facilitate group engagement between both facilities, or with other organisations in Galway.

To contribute, go to www.gofundme.com/f/barton-studios-2021. For more information on how to get involved, email contactg126@gmail.com.

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CITY TRIBUNE

Film Fleadh enjoys its day in the sun

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Dónal Ó Héalaí and Fionnuala Flaherty in Foscadh with writer and director Seán Breathnach in the background. The film won Best Irish First Feature at the Fleadh.

The winner of Best Irish Film at this year’s Galway Film Fleadh, which closed on Sunday night, was Here Before, a psychological thriller set in Northern Ireland. The feature debut of Belfast television writer and filmmaker Stacey Gregg, it stars Andrea Riseborough as a bereaved mother whose new neighbours stir up uncomfortable feelings of grief.

The award for Best Irish First Feature went to Foscadh, an Irish language drama set in the mountains of North Conamara, based on characters from Donal Ryan’s novel, The Thing About December. This delayed coming-of-age story about a bereaved young man, an only child, who inherits the family farm was written and directed by Seán Breathnach and stars Dónall Ó Héalai.

Pure Grit, directed by Kim Bartley, won best Irish documentary. It explores the male-dominated world of Native American bareback horse racing and the impact of a young woman, Sharmaine, who is determined to break the mould.

Galway Film Fleadh is an Oscar-Qualifying Festival in three categories: Best Fiction Short, Best Short Documentary and Best Animation Short.

The Tiernan McBride Award for Best Fiction Short went to Saul & I, written and directed by Jon Beer.

The Best Short Documentary Award was won by Nothing to Declare, directed by Garrett Daly.

The James Horgan Award for Best Animation Short was won by Memento Mori, directed by Paul O’Flanagan, written by Paul O’Flanagan and Laura O’Flanagan.

The Fleadh’s Pitching Award for 2021 went to Athenry man Giles Brody for his teen caper, Top Marks.

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

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