Galway’s second Oscar Wilde Festival will be held from September 5-7 in the City’s Harbour Hotel and Taibhdhearc Theatre.
Speakers from Galway, UK and the US will offer fresh insights into the work of the renowned writer who had strong Galway connections, while the Festival will also support new Irish writing.
The official launch will take place on Friday, September 5, at 6pm in the Harbour Hotel and will be followed by a talk on a remarkable Galway woman, Eva O’Flaherty, who referred to Wilde as her “cousin Oscar”.
Eva moved in circles in London, Paris, Dublin and Achill from the 1900s onwards through her involvement in millinery, literary and intellectual pursuits. Eva O’Flaherty died in 1963 and was buried in the family vault in Donaghpatrick Graveyard, Caherlistrane.
The talk on her life will be delivered by Mary J Murphy from Menlough, broadcaster, journalist and author of Eva O’Flaherty: Forgotten Island Heroine.
The festival will move to An Taibhdhearc on Saturday, September 6. The Irish-language theatre has strong connections with Wilde through the writer and performer Micheál MacLiammóir, who staged the first play at the venue in 1928.
MacLiammóir subsequently went on to perform the acclaimed one-man show, The Importance of Being Oscar, and wrote extensively about Wilde.
Saturday’s events will begin at 12 noon with a talk on Wilde Today, exploring the contemporary view of Wilde and asking if his reputation has stood the test of time.
Three speakers – Dr David Clare of NUI Galway; New York writer and historian John Cooper, the author of Oscar Wilde in America; and UK actress Patricia Leventon – will discuss this question.
At 4pm, John Cooper will deliver a talk on Wilde and Dress. Wilde was renowned as a flamboyant dresser and used clothes for theatrical maximum effect.
A letter Wilde wrote, entitled The Philosophy of Dress, was rediscovered by John Cooper in 2012 and was confirmed by Wilde’s grandson, Merlin Holland, as authentic. It offers a fascinating insight into his dress sense. John Cooper’s talk will explore the influences, trends, characters and source material that informed Wilde’s relationship with dress.
Saturday’s events will conclude with a show about one of the most important women in Wilde’s life – his mother, Jane, also known as Speranza. This will be performed by Patricia Leventon at 8pm. The Belfast Telegraph described it as “imaginative and informative” adding that it provided “great insight into Oscar’s life and the influence of his mother”.
The Festival will conclude on September 7 with new Irish writing.
Kicking Oscar’s Corpse, by Galway writer Brendan Murphy, will make its debut at the Harbour Hotel at 1pm. Based on court transcripts, Kicking Oscar’s Corpse is a docu-play based on the famous libel trial of Maud Allan in 1918.
It’s a story of judges and prejudice, MPs and dancing girls, sex, scandal and conspiracy. Tickets are available online and there will be some on the door if seats are available.
Light refreshments will be available beforehand. Festival organiser Sandra Coffey points out that ticket to this year’s Oscar Wilde Festival are reasonably priced and hopes this will help people to “come and enjoy the weekend”.
Tickets for Saturday’s shows in An Taibhdhearc are available online on www.antaibhdhearc.com, by phone at 091 563600, or in person from the box office on Middle Street. n For further information on the programme and tickets, go to www.oscarwildefestival.com
Marking Baboró’s birth as children’s festival turns 25
Baboró Children’s Arts Festival, which marks its 25th anniversary this year, changed the face of arts in Ireland by putting young people front and centre. “Until then, there wasn’t any theatre for children in Ireland, unless it was educational,” recalls Patricia Forde, a driving force in establishing Baboró.
“Theatre existed, but it wasn’t art. We brought in companies from Italy and Spain whose shows were just about art, not education. And they were beautiful.”
From the get-go, Patricia loved that companies created work specifically for certain age groups – toddlers for instance – that focused on their stage of development.
Baboró grew out of Galway Arts Festival and it reflected a changing audience dynamic.
In the early days of the Arts Festival, when Ollie Jennings programmed it, Patricia worked in the box office. The audience then was made up mostly of single people, many of them students and backpackers, she recalls. By the time she took over as Artistic Director in the early 1990s, that had changed.
“People were looking for more family shows.” She obliged, by setting up a family strand in the Festival, known as Baboró. Little John Nee, with his children’s shows, “was our anchor tenant”, she says of his annual appearances at the former Mercy Secondary School in Newtownsmyth. The first year when there wasn’t enough funding to dress the school yard in bunting, Patricia’s sister, Ailish, improvised by hanging colourful clothes on clotheslines across the yard. That year too, a fire engine was one of the main attractions and kids queued up to get their photos taken with it, she laughs.
This is a shortened preview version of this article. To read the rest of the story, see this week’s Galway City Tribune or Connacht Tribune. You can buy a digital edition HERE.
Moving west to make her artistic mark
Bernie Dignam’s grandfather fought in World War I and was one of the unfortunate soldiers who saw action in Gallipoli, a horrific experience which damaged him for life. But he never forgot his fellow soldiers and for years afterwards, would mark Remembrance Sunday by wearing a poppy and marching in their memory.
In the 1920s, that didn’t win him many fans in the newly-independent Ireland, says his artist granddaughter Bernie who lives in Moyard, outside Clifden. Bernie never knew her granddad but admires him for staying true to himself, despite the consequences. It’s easy see why she would because she’s cut from the same cloth.
Her grandfather was from north inner-city Dublin and Bernie was reared in Finglas, the oldest of a family of eight children. Her journey to North Connemara brought her to Limerick and Monaghan before she finally arrived in the 1990s, to work in Letterfrack.
Moyard, between Clifden and Letterfrack, is where she built her home and it’s where she now runs her studio and art gallery, showcasing her work across a variety of genres – felting, weaving, batik and printmaking. It’s inspired by nature, mostly by the local landscape.
Bernie’s background is in design – after graduating from DIT, she did a research project in UL on the use of Irish softwood.
But there weren’t many jobs in design and product development when she left college and she didn’t have any connections in the industry. So she did a diploma that would allow her teach art and design, which is where she developed her passion for such processes as felting and batik.
She’d grown up around textiles, she explains, as her father, Christy, was an upholsterer. His day job was with CIÉ as a steady income was needed for his large family. But in his spare time, he upholstered furniture in a shed at the back of their house. She describes him as a master craftsman and an expert on fabrics. Her mother, Teresa, meanwhile, was “very practical. She fixed our bikes, made our clothes and knitted Aran jumpers for us”.
Read Judy Murphy’s in-depth interview with Bernie Dignam in this week’s Connacht Tribune, on sale in shops now – or you can download the digital edition from www.connachttribune.ie
Bowing out after 31 years’ service
James C Harrold has played a key role in Galway’s artistic life for more than three decades. The retiring City Arts officer reflects on his years working in the county and city, and shares memories of artists, events and places, while also looking to the future.
Since 1990 I have been working with the artists, arts organisations, communities and neighbourhoods of Galway; for ten years as City and County Arts Officer, and subsequently specifically in the city. I had returned to Galway from Wexford Arts Centre where I had been Artistic Director, but before that I had spent a lot of time in the West. Every childhood summer was enjoyed in Barna, I went to college here, to UCG, and had worked with Galway Arts Festival, the Arts Centre and Macnas.
My romantic and adoring view of Galway originated in early-years visits to Kennys’ with my bibliophile father, or to Charles Lamb’s studio in Carraroe, or to my mother’s family in musical Belclare at the foot of Knockma.
‘Galway is a paradise,’ I stated firmly in a newspaper profile to mark my appointment.
I was one of the first of the new Local Authority Arts Officers, co-funded by the Arts Council with a brief to develop local arts.
Based in possibly Ireland’s oldest prefab at the back of the County Buildings in Prospect Hill, a handy base to explore from, create and curate projects, networks and funding opportunities, I was tasked to advise and assist the city and county in policy, programming and grant aid. My dear friend and college colleague Michael Diskin had returned to Galway on the same day, February 19th.
For the next 22 years, with Mike from 1994 ensconced in the Town Hall Theatre we met two or three times a week. Back in the ‘80s we had been inspired by Ollie Jennings and Páraic Breathnach, who had laid the foundations for so much of Galway’s creative reputation. We were following in their mighty footsteps and developing our own pathways too.
Early forays into the county involved bringing Little John Nee to the towns and villages every weekend that summer. His children’s shows, mainly open-air in the little market squares of east and north Galway opened conversations that are continuing still.
Read the full story in this week’s Connacht Tribune, on sale in shops now – or download the digital edition from www.connachttribune.ie