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The village that time forgot when it came to life’s most basic need

Bernie Ni Fhlatharta

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Date Published: {J}

About three miles across the fields, as the crow flies, is located one of the best pieces of infrastructure ever constructed in this country. It is a stretch of road which has been claimed to have brought Dublin and Galway closer together.

While the roar of the M6 motorway cannot be heard in the tiny village of Kilrickle, which was situated on the main Galway to Dublin road before the motorway was built, the locals can only envy the progress that has been made elsewhere.

The residents of this idyllic and superbly maintained village – with a school and church on one side and two pubs and a shop on the other – are justifiably frustrated with their lot. They have a right to be furious but the overriding emotions are ones of disappointment and dejection.

When motorists pass through Kilrickle, they can’t but admire how tidy it is and what a pleasant place it seems to be. But behind the buildings along what used to be the N6 indicates something from a time long forgotten.

The sight of gutters leading into concrete and metal tanks at the back of these buildings indicates all is not as it should be. In fact Kilrickle must be one of the few villages in the country which does not have a public running water supply.

Those of us of a certain age can still recall when fresh water from wells and village pumps had to be transported in bulk for domestic use. The arrival of the local group water scheme was ultimately welcomed with open arms as it signalled the end of this type of hardship.

However, the residents of Kilrickle and surrounding areas are still stuck in a time warp as regards their water supply and they have been unable to make any progress despite their best efforts.

But what is more deflating from their point of view is that they have been campaigning for a water supply for the best part of a quarter of a century without any success.

Various committees have been established, campaigning for the Government to approve funding for a water scheme to supply the village and some 130 houses in the locality which have to provide their own source of water.

The vast majority of home owners have their own wells from which they pump water into a tank. This water is then purified for drinking purposes. Those who do not have such a system in place simply buy bottled water at their local supermarket.

Campaigns for the provision of a group water scheme for Kilrickle have fallen on deaf ears, and while there were high hopes that this would be included in the most recent of Government announcements, the fact that they were excluded was a major disappointment to villagers.

Local campaigners have lobbied the four Galway East TDs on numerous occasions in recent years and even brought their campaign to the steps of Leinster House, and they are amazed that their plight has been continuously ignored.

For more, read this week’s Galway City Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Archive News

Ruby ready to rock again and Bob is worth a big flutter in Gold Cup

Bernie Ni Fhlatharta

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Date Published: 06-Mar-2013

New edge to Galway hurling championship title pursuit

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A battle of talent and the ability to pull in public votes

Bernie Ni Fhlatharta

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Date Published: 11-Mar-2013

Here is a question. And there is no holiday or grand prize for getting the answer. But can anyone name the people who have won The Voice of Ireland and what has become of them?

Over across the water in the UK they have The X Factor and while I hate the concept of it, it has produced a few stars even though they don’t last long in the whole scheme of things.

But The Voice of Ireland seems to generate false excitement with the winner ending up become more anonymous than they already were. And it is costing families a fortune in the process.

While the programme is a ratings winner, strangely, it has resulted in those getting through to the final stages investing huge amounts of money in the hope that they will receive enough votes to get through to the next stages.

So, suddenly, it is not about the voice or the talent involved, it is all about votes and who the participants can convince to pledge their support for them. So it is obvious that talent goes out the window.

It means that someone with half a talent could realistically win the whole thing if they generated enough support behind them. From now on, the judges will be taken out of the equation and it will be left to the public to generate income for some phone operator.

Those who get through to the live performances have to engage in a massive publicity campaign in an effort to win votes which makes this whole effort a pure sham. It is no longer about their ability and just an effort to win appeal.

While the initial process does involve some vetting of the acts, now it becomes a general election type exercise in which the most popular will win the competition and the judges will have no say whatsoever.

It is a bit like the recent Eurosong in which the judging panel across the country voted for their favourite song, which incidentally was the best of a very bad lot, but then this was overturned by the public who chose a relatively crap song to represent us.

But again, this was all down to convincing the public about who to vote for rather than having any bearing on the quality on offer. There are times that genuine talent becomes overlooked because of the need to extract money from the voting public.

For more, read this week’s Connacht Sentinel.

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