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The Bridge raises the bar on Scandinavian crime drama

Bernie Ni Fhlatharta

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Date Published: 07-May-2012

If you were given to sporting clichés, you’d call The Bridge a crime of two halves, because this latest offering from the seemingly bottomless well of Scandinavian crime drama centres on two murder victims – the top of one and the bottom of another – dumped right on the bridge that links Sweden and Denmark.

That’s should be intriguing enough to warrant at least a cursory glance, but if you start watching this compelling crime drama that is currently running on BBC Four, you’ll be hooked before you even know it.

Even as the latest in a packed field of dark, broody, Scandinavian thrillers – most recently The Killing – this one stands out from the pack, because it is such a clever concept brought to life by a top-class cast and with enough sub-plots to leave you thinking into the small hours.

The Bridge from which it takes its title is the Øresund Bridge, which links Copenhagen in Denmark to Malmö in Sweden, and is the longest in Europe.

It opens with the lights going out on this massive piece of engineering achievement, and a body being dumped on a freshly painted line to indicate the precise border between the two nations.

The cadaver’s top half, which lay just inside Swedish territory, was quickly identified as the torso of a prominent female Malmö city councillor. The butt end, stretching on to the Danish side of the border, belonged to a Copenhagen prostitute who had gone missing over a year before – and who doesn’t appear to have been hugely missed in the meantime.

But the international crime scene – not to mention the fact that both halves of the body are from adjoining nations – means the investigation is carried out by one of the more unusual detective double acts – the beautiful but barmy Saga Norén (Sofia Helin) and the more traditional, cynical ‘seen it all’ Martin Rohde (Kim Bodnia).

She has a penchant for tight leather trousers and picking up one night stands in bars, but she seems to be lacking on the emotional front with no time for relationships that last longer than six hours … or children.

Rohde is a middle-aged Danish detective with a world-weary manner who looks like a cross between Alexei Sayle and Harry Molloy from Fair City, and he’s in bad form because this investigation begins the day after he’d had a vasectomy.

For more, read this week’s Connacht Sentinel.

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Real Galway flavour to intermediate club hurling battle in Birr

Bernie Ni Fhlatharta

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Date Published: 23-Jan-2013

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Athenry fail to take chances as they bow out of Junior Cup

Bernie Ni Fhlatharta

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Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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