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Sullivan shines as Moycullen recover from poor start to grab overtime win in Dublin

Bernie Ni Fhlatharta



Date Published: 20-Dec-2012

Dublin Inter 72

Moycullen 75

YOUTH may have its drawbacks, but one is not a lack of stamina and energy. That youthful exuberance was evident for all to see last Friday night as Moycullen’s young guns helped see their team snatch a third overtime win of the season.

The victory over Dublin Inter at the National Basketball Arena brings Moycullen’s SuperLeague win total for the 2012/13 campaign to four.

With a return leg upcoming in Galway this weekend, the basketball faithful in the West of Ireland can be hopeful of the club equalling their best ever SuperLeague wins total in a single season (five wins, achieved by Moycullen three years ago) and all before the Christmas break.

Ahead of Saturday’s match up in NUIG, Moycullen player/coach Salva Camps will be hoping his team produces a much better performance than the one displayed Friday night in Dublin.

A sluggish start saw them trailing at half time by eight points, a deficit they were unable to eat into during the third quarter and began the fourth quarter 10 points in arrears.

Credit to Inter, whose combination of size and skill were creating problems for the Moycullen defence. On the far end of the court, the men from Galway did not help their cause, with all but an inspired Patrick Sullivan, who finished the game with an incredible 39 points, out of rhythm offensively.

With defeat staring them in the face, Moycullen rallied and produced a fourth quarter display packed with pride. Led by a forceful Stephen Tummon, who commanded the back of the Moycullen defence, Moycullen began to play with the desire sorely lacking earlier in the game.

A switch to zone defence was central to this resurgence and excellent contributions off the bench from Dylan Costello and Patrick Lyons completely stalled the Inter attack.

With a minute to go, Moycullen’s hard work and perseverance paid off as the visitors took the lead. The storyline was not going to be quite so simple, however, as Inter refused to lie down and recorded the necessary scores to force overtime, Moycullen’s third in just ten games this year.

Just like in their previous two overtime encounters, Moycullen got the first crucial score. This time it was an awesome three pointer from Sullivan who consistently proved to be unguardable on the night.

This was followed by back-breaking baskets from Lyons and Tummon as Moycullen controlled the extra period and while Inter remained close, there was only to be one winner with Moycullen refusing to be denied.

“It was another really important win for us. We have two games in a row against Inter and if we can get another win this weekend, it would be a huge boost to our league standing,” said Moycullen power-forward Stephen Tummon.

“It’s a great feeling to be winning these close games. In past years, we nearly always lost these games and went home talking about how unlucky we were. Now, we have the confidence that we are going to win any close game. That definitely helped in this match, especially when we were down in the fourth quarter.”


Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Ruby ready to rock again and Bob is worth a big flutter in Gold Cup

Bernie Ni Fhlatharta



Date Published: 06-Mar-2013

New edge to Galway hurling championship title pursuit

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Archive News

A battle of talent and the ability to pull in public votes

Bernie Ni Fhlatharta



Date Published: 11-Mar-2013

Here is a question. And there is no holiday or grand prize for getting the answer. But can anyone name the people who have won The Voice of Ireland and what has become of them?

Over across the water in the UK they have The X Factor and while I hate the concept of it, it has produced a few stars even though they don’t last long in the whole scheme of things.

But The Voice of Ireland seems to generate false excitement with the winner ending up become more anonymous than they already were. And it is costing families a fortune in the process.

While the programme is a ratings winner, strangely, it has resulted in those getting through to the final stages investing huge amounts of money in the hope that they will receive enough votes to get through to the next stages.

So, suddenly, it is not about the voice or the talent involved, it is all about votes and who the participants can convince to pledge their support for them. So it is obvious that talent goes out the window.

It means that someone with half a talent could realistically win the whole thing if they generated enough support behind them. From now on, the judges will be taken out of the equation and it will be left to the public to generate income for some phone operator.

Those who get through to the live performances have to engage in a massive publicity campaign in an effort to win votes which makes this whole effort a pure sham. It is no longer about their ability and just an effort to win appeal.

While the initial process does involve some vetting of the acts, now it becomes a general election type exercise in which the most popular will win the competition and the judges will have no say whatsoever.

It is a bit like the recent Eurosong in which the judging panel across the country voted for their favourite song, which incidentally was the best of a very bad lot, but then this was overturned by the public who chose a relatively crap song to represent us.

But again, this was all down to convincing the public about who to vote for rather than having any bearing on the quality on offer. There are times that genuine talent becomes overlooked because of the need to extract money from the voting public.

For more, read this week’s Connacht Sentinel.

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