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Connacht Tribune

Spotlight on Galway pair as brightest prospects for 2017




Two Galway singer-songwriters have been included in Hot Press magazine’s list of artists tipped for success in 2017.

Though Miriam Donohue and Roisín el-Cherif have different musical styles, both are coming off the back of successful years in 2016.

The daughter of an Irish mother and a Palestinian father, Roisín el-Cherif spent time Saudi Arabia, Australia, and Morocco during her childhood, before her family settled in Galway when she was 16 years old. She wrote her first composition at the age of 18.

She gigged extensively in 2016, playing at festivals and showcases around the country including well-received performances at Body & Soul, Sea Sessions and The Battle for the Lake festival on Achill Island.

Roisín’s style is, in her own words, ‘dark, atmospheric ambient pop-folk’. Her style is equal parts beautiful and haunting, and it is clear she has been influenced by a myriad of sources.

“I like moody and edgy music and artists like Tracy Chapman, Fleetwood Mac and the Cranberries. Arabic music was played during my upbringing, and that has concreted itself into my subconscious too,” she explained.

Roisín currently splits her time between Galway and Dublin, where she has worked as in the visual effects TV/ Film industry for the past five years.

Her skills in this department are on full display in the brilliant music video for her song ‘Kerosene’, released last May. She wrote, produced and co-directed the video herself.

“I decided to release it to see what would come from it, and the reception and feedback was more than I could have hoped for,” she said.

As for 2017, Roisín has plans to release her long-anticipated debut LP in March, along with some more self-directed music videos. If the video for Kerosene is anything to go by, they are sure to be spectacular.

Galway-born, Dublin-based songwriter Miriam Donohue has earned her place on HotPress’ list.

In the past three years she has performed across Ireland and played support slots for Martha Wainwright, Nina Persson (of the Cardigans) the 4 Of Us and Jack L, to name just a few.

An assured performer, her lyricism and vocal style have drawn comparisons to the likes of Susan Vega, but Donohue’s overall sound is something unique to her.

In November last year, she released her debut LP ‘Paperscapes’, which she crowdfunded through a Fundit campaign. It has met with considerable acclaim.

Miriam, too, takes a lot of her inspiration from the world of art.

“My background is in art and I work in Costume Design, so my songs are full of imagery, almost tactile I think,” she said.

2016 was her busiest year to date, and she is understandably excited for what 2017 will bring.

“I’ll be touring/gigging the new album, around Ireland, and at some festivals, I hope to play in the UK as well. I really enjoy being on stage sharing my music and having the banter with the audience, and I want to keep developing my writing skills and collaborating with other musicians,” she said.

“I’ve so much to learn from those musicians who have gone before, and I just love the feeling that singing gives me.

“I love to share it with others – I hope that continues on, whereever it leads me,” she added.

The Galway launch of her LP ‘Paperscapes’ takes at The Loft, Bridge Street, on Saturday, February 18 at 9pm. Tickets €10

■ Miriam Donohue’s work can be found HERE and Roisín el Cherif’s music can be found HERE.

Connacht Tribune

Packed like sardines in Salthill and only 200 allowed gather at a game

John McIntyre



John McIntyre

Inside Track with John McIntyre –

IN a moment of madness, I decided to take a cycle out to Salthill last Saturday. By the time I got to the Blackrock Diving Tower, I thought I had just come through Torremolinos or one of those sun hot spots on the Costa Del Sol. There were cars and people everywhere.

The first inkling that Salthill would be heaving came when there was a traffic-jam halfway back the Lough Atalia Road leading to the Docks. Such were the number of cars, you’d be forgiven for thinking that Pearse Stadium was hosting a Connacht football final that afternoon.

If the people of Offaly, Laois and Kildare – all currently under partial Covid-19 lockdown – could see the carefree holiday mood in one of the West’s favourite tourist attractions, they’d be wondering had they stumbled on a parallel universe.

As readers will know from previous columns, I have a jaundiced view of NPHET and the Government’s cautious approach to relaxing the coronavirus restrictions. The scaremongering continues at frightening levels and many people are living in a climate of fear – though few of them were in Salthill.

NPHET must be immune to what’s really happening on the ground. If it thinks that there is widespread compliance, the group is living in cloud cuckoo land. All over Ireland’s favourite tourist attractions, there are thousands of holiday makers with little or no observance of social distancing.

My frustration over this scenario is fuelled by the way sport and its followers have been so badly compromised by the Covid-19 restrictions. My club Lorrha was playing in the Tipperary hurling championship last Friday evening and many of our diehard supporters couldn’t get a ticket to the match.

It’s the same in every GAA parish. So much unnecessary agitation and frustration. On Sunday evening, reporting duties took me to Ballinasloe for an attractive derby clash between Tommy Larkins and Tynagh/Abbey-Duniry. In a nutshell, there was nearly as many people inside as outside the wire. The ‘gathering’ limit of 200 annoyingly remains, especially in the context of the throngs in places like Salthill.

NPHET have justified not increasing crowd limits to beyond 200 over fears that people will congregate afterwards and the assumption that individuals from different families are travelling together in the one car. Frankly, it’s a load of nonsense and just irrational justification for not being prepared to compromise.

Of course, if the Government had any backbone instead of acting like a lapdog, it would never have come to this. I am fed up of hearing the line, in the interests of ‘public health’, as if people are dying from nothing else other than the coronavirus. The reality is that there have only been a handful of fatalities from the disease over the past fortnight. In the same period, how many have passed away from cancer and cardiac issues when their standard of care wasn’t what it should have been due to the fixation with Covid-19 over the past four months?

There’s now a genuine health and safety issue at play as well in relation to sporting fixtures. We have all images of fans hanging off trees and ladders, and others on rust-laden roofs, in their desperation to support their local teams. Furthermore, does NPHET have any idea what their draconian approach is doing to the mental health of some people?

There was no justification for stopping sporting activity in Laois, Offaly and Kildare last Friday. Locking down the affected towns where there was a surge of new infections in local meat processing plants would have made more sense. There have been no clusters spread through sport so why should codes like GAA and soccer be punished?

We all appreciate that the virus hasn’t gone away and there is an obligation on all of us to act responsibly, but only making the use of masks compulsory for most indoor settings from last Monday takes the biscuit altogether. Why has it taken so long? The pandemic has been with us since last March and only now is this measure deemed appropriate.

Over the past few weeks, I have observed individuals wearing masks travelling alone in cars, while cycling, and outdoors where there’s hardly a sinner in sight. What’s that all about? It’s not as if you can pass on the virus to yourself! Horse racing is going to extremes altogether. Now everybody at a meeting has to wear a mask outdoors. Suffice to say, they all look ridiculous walking around in what is the equivalent of big open fields.

I have absolutely no issue with our civil liberties being compromised in the ongoing quest to supress the virus, but logic is being repeatedly thrown out the window. NPHET’s ‘one size fits all’ approach must be urgently reviewed and the Government needs to stand back and make up its own mind about what activity constitutes genuine risk.

Though I believe the horse has long since bolted when it comes to wearing masks in indoor centres, I am willingly obeying the rule while as team manager of Lorrha, all our players have their temperatures checked before each training session; there are hand santisers supplied; and the training props are disinfected.

The primary focus should be on sorting out meat processing plants and the direct provision centres, while travel in and out of the country ought to be restricted to emergencies or on compassionate grounds. House parties also need to be clamped down on. Everything else is hardly worth a hill of beans in tackling this pandemic.

Keeping gatherings at 200 and not allowing pubs to reopen are soft targets. I am not proposing anarchy or anything like that, but the powers that be need to wise up and concentrate their efforts on the places where outbreaks of the virus are occurring. Everything else is just window dressing.

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Connacht Tribune

Old mills set for new life as distillery

Declan Tierney



An artist's impression of the new distillery.

An old corn mill in East Galway is set to be transformed into a €6 million whiskey and gin manufacturing distillery – once planning permission has been granted for the development.

And if approved, the distillery has the potential to create more than 15 new jobs directly in the village of Ahascragh, providing a huge economic boost to the area – and rescuing the old corn mill which ceased operation in the 1950s.

A planning application for the new brewery has just been submitted by Gareth and Michelle McAllister of McAllister Distillers in North Dublin, with a decision due before the end of the year.

Gareth McAllister told The Connacht Tribune that he intended to renovate the old building while retaining some of the old features such as a mill wheel, and utilise the stream that runs through the property.

The complex, as well as producing various styles of Irish whiskey and gin, will also include a visitor centre, rooms for hospitality events, a retail shop and cafe.

Read the full story in this week’s Connacht Tribune, on sale in shops now. You can also purchase a digital edition here.

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Connacht Tribune

Wait is over for frontman’s first solo venture




John Martin Tierney

Multi-instrumentalist John Martin Tierney has been a recognisable face on Galway’s music scene for several years – but up to now, largely as the focal point in a band setting.  Comfortable operating as both energetic frontman and rhythm-setting guitarist, he has featured in an array of impressive local outfits; most notably, his work with Dead Horse Jive has seen the five-piece develop into one of the city’s top live acts.

But with all of that experience in a collaborative setting, John’s solo work has sometimes been put to the side.

That’s about to change – if just temporarily – as John releases his debut single, I Will Wait, this Friday; a three-and-a-half-minute ballad, the song incorporates piano and acoustic guitar more than much of his band work has done.

Though the track has existed in some form for a long time, its subject matter was particularly pertinent over lockdown.

“Around the start of June, I started properly putting energy into something that would have an end product,” John recalls.

“I wanted something I could be proud of, even if I wasn’t going to release it while lockd I Will Waitown was going on. I had an earlier version of it but I was never happy with it. I started rewriting it in about May or June.

“It kind of talks about missing people that you love. It’s from the point of view of not being able to see someone physically because of whatever restrictions are in place. That’s where it came from anyway and I think it translates well… I hope it does.”

For full interview, read the Groove Tube in this week’s Connacht Tribune, on sale in all shops now – or purchase the digital edition; full details on this website.

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