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Archive News

September 10, 2010



Date Published: {J}



An Annaghdown correspondent states that on Saturday night last, or early on Sunday morning, a “moonlighting” expedition was carried out with the utmost care, when twelve prime bullocks, the property of Mrs. Blake, of Cregg Castle, Annaghdown, were decorated all over with green paint, bearing the mottoes: “G.A.A.”, “U.I.L.”, and “Boycott”

Mrs. Blake was most popular with the people of the district until about three weeks ago when she refused Annaghdown F.C. use of a field to hold a tournament which was held there in aid of the political prisoners’ defence fund.

The Newells were recently evicted from a forge on the estate. The police of the district were very busy on Sunday and Monday, but up to the time of writing, no arrests have been made. Mrs. Blake, who gives a lot of employment to labourers all the year round, has no one to work for her at present, it is stated.

Claregalway floods

A special meeting of the Claregalway branch of the United Irish League was held to consider the steps to be taken towards acquiring permanent relief for the parties whose lands were inundated during the floods. The floods are abating slowly, but two square miles of the country still continue flooded.

Athenry Town Hall

A new project has been taken on hands for the erection of a new Town Hall, and immediately a spacious building, capable of holding 3,000 people, will be begun. The need of a suitable building is keenly felt by the theatrical and sporting people of the district, as very great expense has had to be incurred from time to time to provide accommodation for the large gatherings that come to sports and other pastimes.


City homes

Mr. M.J. Cooke, chairman, presided at the monthly meeting of the Galway Urban Council on Thursday. The borough surveyor Mr. W.N. Binns, submitted draft plans for the provision of thirty houses at Munster Lane. The price of the houses he estimated at £315 each.


Escaped mental patient

Dr Mills, resident medical superintendent at Ballinasloe Mental Hospital explained a patient was working on the farm and was under the observation of the attendants a few minutes before he was missed from the farm, and he (Dr. Mills) was satisfied that the attendants in charge were not to blame, from the statements they made concerning the escape.

Tracks of him were found up and down the country for the past few days, and the guards were most carefully searching for him, but were unable up to the present to find him.

Chairman: This is a serious thing and it is our business to inquire into it and reprimand the attendants in charge if they were responsible.

Dr Mills: It is for the committee to take any action they think fit or advisable in the matter. The seriousness of the thing is that we might have lost the man altogether.

I consider two attendants in the circumstances enough and that they were capable of looking after those patients. They were a class of patient who were quiet, and they were here for twenty-five or thirty years, and they only needed to be kept under observation.

Before he introduced bringing these patients out on the farm, he added, there were no escapes, but taking them on the farm got them to do some work and encouraged more tillage.

Chairman: Irrespective of whether two men were sufficient to look after ninety-six patients, we should have, I think, more attendants here. Our first duty should be to the patients, who should be looked after.

For more, read this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Archive News

Sarah helps students at GMIT reach for the stars



Date Published: 28-Feb-2013

For someone who has spent most of her career in arts administration, returning to work with students is a breath of fresh air for Sarah Searson.

The recently appointed head of the new Centre for Creative Arts and Media at the Galway Mayo Institute of Technology (GMIT) is buzzing. At a time of great flux, she is thrilled to be at the helm in a very hands-on way.

“I have been writing a lot of policy documents, doing curatorial work in writing, supporting museums and galleries to develop programmes, advising organisations on shows,” she explains.

“I’ve also done quite a lot of mentoring with artists. I’m really interested in the development of arts in Ireland in the development of artists. So the opportunity to come to Galway represented a great challenge for me.”

She had regularly travelled to Galway when writing the last Galway City Council Arts Plan, which spoke about what investment in the arts can give back to the city.

It was some artist friends who let her know that the GMIT was advertising for the current position and urged her to apply.

“I had such a great art college experience myself so the opportunity to come here and develop it and bring it into the future was really exciting,” she reflects.

“It’s very exciting to work with students – the energy when you first come to college. I absolutely loved lecturing. There’s nothing more exciting than working with potential. I’ll be delivering workshops with them. For the first two or three years there’s a lot of management work but I hope to return to some lecturing.

“We’re at a very interesting time in education and it puts us in a great position to look at what we’re doing and it’s probably what creative people do very well.”

September was the first year that the film and documentary course at the Cluain Mhuire camps was elevated to an honours degree.

The course covers all aspects of the industry, including editing, sound, production design, cinematography, 4D design and knowledge of the planning, budgeting and management requirements involved in shooting and delivering film and documentary projects.

“We are looking to graduate students with a wide range of skill sets – everything from a data wrangler to a screen writer. There’s a big emphasis on collaboration. You learn a whole host of different skills because not everybody is necessarily going to be a director.”

The faculty also offers a well-regarded degree in art and design with an optional year-long specialisation in fine art or textiles.

Students study art history, critical theory, and they learn interviewing skills, how to draw, print making, ceramics and sculpture.

“They work in groups to produce exhibitions and events. There’s a real rigour to the course as a lot of that takes time to achieve. It’s total immersion.”

A third year print student is currently preparing for a two-week exhibition in London, while the student body and staff are busily readying their work for the high-profile end-of-year art show.

This month GMIT students out filming in all nooks and crannies of the city can be spotted night and day as they prepare their end of year project, which will feature in a college screening.

Many students will go on to set up their own company, working on a range of projects on a contract basis. They will work with a production company or go into a media organisation such as RTÉ or TG4.

“Visual education is so valuable. You work on a project basis, you have to conceive something and see it to delivery. It has to be professionally resolved at the end. You’ll be a self-starter, entrepreneurial, capable of critical thinking, you’ll have vision and imagination – really they are transferable skills.

For more, read this week’s Galway City Tribune.

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Why is middle class a term of derision rather than endearment?



Date Published: 06-Mar-2013


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