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RTƒÕs talent show is more about votes than talent



Date Published: {J}

There is something rather sad and almost demeaning about The All-Ireland Talent Show and, indeed, any such show which requires the participants to grovel to the public for support while RTÉ just sit back in the knowledge that while all of this is going on, they are on a ratings winner.

It goes without saying that the families of every participant are out night, noon and morning in an effort to win support for their particular act which is proving a financial windfall for every mobile phone network that exists as well as the suppliers of the very expensive landline number that the public have to call to show their support.

On Sunday night, it was the first of the semi-finals and not being a huge fan of this series I dipped in and out from a curiosity point of view. Most of the acts that I saw were poor to say the least, even if some of them were talked up by the judges.

But that is only minor in the bigger scale of things. Obviously this programme is something of a hit as far as viewers are concerned (I found it torture) and it involves a major whittling down of acts in advance of the televised stage of the competition.

And then when it comes to the small screen, it is audience participation time as they are encouraged, coaxed, charmed or blackmailed into voting for a particular act and this ultimately decides who wins the fifty grand that is on offer for the successful performance.

For example, there were two cousins from Kerry – one played the fiddle and the other the guitar – but they were so incompatible that it was frightening. The judges tried to be kind to them but they were no better than a duo who were asked to perform in a pub and had never played together before.

However, it was not inconceivable that, with the backing that they could generate, they could go on to win the competition. That is how stupid this show is. It has absolutely nothing got to do with talent, it is a numbers game.

And then there are the judges. Bláthnaid Ní Chofaigh has more facial expressions than Fianna Fáil had failed policies while Amanda Brunker is probably wondering why she was ever chosen to be on this diabolical excuse for a talent competition.

Dana just speaks but says nothing – she should be in Labour – while Daithí Ó Sé and John Creedon give out an air of triumphalism which is meaningless in view of the fact that they have no hand, act or part in the eventual outcome.

But yet those who are attached to the acts still involved in the competition are out there spending fortunes in trying to promote them at the encouragement of RTÉ or whoever makes the programme.

And why did Gráinne Seoige feel the need to borrow a dress from Corrie’s Bet Lynch?

For more, read this week’s Connacht Sentinel.

Galway in Days Gone By

The way we were – Protecting archives of our past



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Real Galway flavour to intermediate club hurling battle in Birr



Date Published: 23-Jan-2013


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Athenry fail to take chances as they bow out of Junior Cup



Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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