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Raw emotion in documentary on sex abuse in US

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TV Watch with Bernie Ní Fhlatharta

Sex abuse seems to be all around us these days and is the subject of many a TV programme, but if we think the subject matter is hard to watch on our screens, think how it stirs up bad memories for the hundreds of victims around the country.

On TV3 last Tuesday, the victims in an award winning documentary film, Mea Maxima Culpa: Silence in the House of God, were Americans, but more to the point they were all the more vulnerable as they were deaf.

They showed courage as grown men by taking part in Alex Gibney’s film, as the four told their stories, how the abuse started, how they were abused, how nobody listened to them when they were younger and how, worse still, their complaints fell on deaf ears in the Vatican.

The cover-up within the senior echelons of the Catholic Church is scandalous, but these men didn’t hold back once they decided to expose the priest who had taken away their innocence.

The four men were so expressive in their sign language and facial expressions and were well able to articulate what had happened to them and how they felt about it. There was no doubt about it; they wanted someone to be held accountable. The film shows one of the men landing in Milwaukee, Wisconsin to go to the retirement home of their abuser, Fr Lawrence Murphy, and the interaction is actually filmed.

The arrogance of Fr Murphy, even now, years later, was telling. He treated them like animals because he knew he could. He told him not to bother him and turned his back on him to return inside the house, telling his former victim to go away. The priest was the only person in St John’s School for the Deaf in Milwaukee whom they trusted. This was in the 1950s, when few people knew how to sign. Fr Murphy did and he sure did abuse his power.

For more, read this week’s Connacht Sentinel. 

CITY TRIBUNE

Reverberate – exploring migration and memories

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Joselle Ntumba of Éireann and I, the collective that is presenting the show at Galway Arts Centre, pictured with her family.

Arts Week with Judy Murphy

A new exhibition, Reverberate, by Éireann and I, will open at the city’s Galway Arts Centre this Saturday, December 3, at 2pm, and will run until December 22.

Reverberate is an oral history project developed by Éireann and I, a black migrant community archive, in collaboration with members of Galway’s African diaspora.

The organisers invited Black migrants who have settled in Galway to recount their journeys to Ireland, their relationship with the city and county, and to reflect on whether they have developed a sense of belonging.

The testimonies in Reverberate come from eight people of varying age and from different places. The many subjects they deal with include parenting, politics, the effects of the asylum system on lives and the communities and organisations they have built.

Some of their shared background is immediately obvious, but there are deeper connections too and these demonstrate how all humans are affected by the global and local tensions that cause people to leave their homelands and build new lives elsewhere.

For more, read this week’s Connacht Tribune.

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CITY TRIBUNE

Songs of Celebration at Galway Cathedral

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Composer and clarinettist Emma Johnson will join Vox Orbis.

Galway’s Vox Orbis, a female choral ensemble directed by Mark Keane, is joining forces with internationally renowned clarinettist Emma Johnson to present her Songs of Celebration. The concert will take place in Galway Cathedral next Friday, December 9

Emma Johnson, who won the BBC Young Musician of the Future at the age of 17, has since gone on to become one of the world’s biggest selling classical artists, celebrated for her diverse repertoire. The choir will present two of her compositions as well as her Variations on We wish you a merry Christmas with Annalisa Monticelli, piano.

The programme will also include Benjamin Britten’s A Ceremony of Carols, accompanied by concert harpist Aisling Ennis. Aisling has recently released an album of harp solos, Folly of Melancholy, and will perform a solo on the evening too. Galway based soprano Noreena McDonagh will join the choir for seasonal favourite, O Holy Night, newly arranged by conductor Mark Keane.

Vox Orbis promotes the work of female composers, and the programme will include Snow Angel by the contemporary Canadian composer Sarah Quartel, with Nickie Geddes, cello. They have also commissioned leading Irish composer, Rhona Clarke, to compose a set of carols, Sweet the Song, which will also be premiered on the evening.

Tickets at €20 are available on Eventbrite and at the door on the night. Visit voxorbis.ie for more information.

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CITY TRIBUNE

‘Potato People’ pays homage to victims of Great Famine

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Artist and sculptor Joe McCaul

The Potato People, an exhibition of sculptures based on the Irish Famine of 1845-49, will open in the foyer of Alcantara, one of the new buildings at the city’s Bonham Quay, this weekend.

It’s the work of artist and sculptor Joe McCaul, who lives in Ballinderreen.

These ceramic figures, fired in clay, “tell the harrowing stories of the lives and deaths of our ancestors during the Great Hunger”, he explains.

The exhibition has already had an eight-week run in Kinvara where it was very well-received, Joe adds.

Joe became fascinated by the Great Famine in recent times and with the many different accounts of those tragic years.

This fascination began in earnest when he read The Truth Behind the Irish Famine, by Kerryman Jerry Mulvihill.

“I began to feel a strong affinity with the people in these stories, their tragedy and the horrendous suffering they endured. I felt compelled to find a way to honour the millions who died of hunger and disease – and emigration; the countless stories forgotten in the Famine graveyards all over this country.”

Joe used his knowledge of working with paper clay to express this need. The process was intuitive and experimental, he says, as he worked without pre-planning or pre-drawing.

The resulting figures, which were formed by draping paper clay over armatures of chicken wire and steel bars, “just emerged from my fingertips. I sculpted feverishly for many months, one horrific figure leading to the next – so many stories to be told”.

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

 

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