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Play set in tomb offers much food for thought

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Bryony Lavery's play More Light, provides plenty of food for thought.

Arts Week with Judy Murphy

A group of concubines who have been immured in a tomb with their dead emperor and the drastic actions they take to survive forms the basis of More Light, a drama by renowned British writer Bryony Lavery, which is being staged in the city’s Nuns Island Theatre from this Thursday to Saturday, May 14-16.

It’s being presented by students of Core Theatre Group, and is the culmination of a 10-week performance course during which they learned a variety of acting techniques, including those developed by actor-director Michael Chekhov and mime artist Jacques Lecoq.

More Light is being directed by local theatre director Max Hafler, a Chekhov expert, who teaches drama at the Lir in Trinity College Dublin, NUI Galway, and at Core Theatre College.

This work was written by Lavery – who is best known for the play Frozen – with youth theatres in mind, says Max, adding that it was previously presented in Galway 17 years ago by Galway Youth Theatre. But in terms of its subject matter, it’s not really a ‘youth theatre’ piece, he observes.

“Lavery follows certain rules, in that it has a big cast with lots of girls and not many men, and some of the more difficult scenes are presented in a symbolic way,” he says.

In More Light, the females who have been locked in the tomb and left to die, range in age from six to 60 and are those concubines who have failed to bear emperor any sons.

But they are a resourceful lot who don’t intend to go down quietly and they decide to devour their dead master in order to survive.

After they’ve demolished him, they realise that the group of men who built the emperor’s tomb are locked in the space beside them. These men, too, become a food source, giving the women a larder for some time, explains Max.

For more, read this week’s Connacht Tribune.

CITY TRIBUNE

Marking Baboró’s birth as children’s festival turns 25

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Baboró Children’s Arts Festival, which marks its 25th anniversary this year, changed the face of arts in Ireland by putting young people front and centre.  “Until then, there wasn’t any theatre for children in Ireland, unless it was educational,” recalls Patricia Forde, a driving force in establishing Baboró.

“Theatre existed, but it wasn’t art. We brought in companies from Italy and Spain whose shows were just about art, not education. And they were beautiful.”

From the get-go, Patricia loved that companies created work specifically for certain age groups – toddlers for instance – that focused on their stage of development.

Baboró grew out of Galway Arts Festival and it reflected a changing audience dynamic.

In the early days of the Arts Festival, when Ollie Jennings programmed it, Patricia worked in the box office. The audience then was made up mostly of single people, many of them students and backpackers, she recalls. By the time she took over as Artistic Director in the early 1990s, that had changed.

“People were looking for more family shows.” She obliged, by setting up a family strand in the Festival, known as Baboró.  Little John Nee, with his children’s shows, “was our anchor tenant”, she says of his annual appearances at the former Mercy Secondary School in Newtownsmyth. The first year when there wasn’t enough funding to dress the school yard in bunting, Patricia’s sister, Ailish, improvised by hanging colourful clothes on clotheslines across the yard. That year too, a fire engine was one of the main attractions and kids queued up to get their photos taken with it, she laughs.
This is a shortened preview version of this article. To read the rest of the story, see this week’s Galway City Tribune or Connacht Tribune. You can buy a digital edition HERE.

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Connacht Tribune

Moving west to make her artistic mark

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Artist Bernie Dignam of Connemara Creative and her dog Sally at home in Moyard. Bernie is curating the exhibitions for this year's Clifden Arts Festival.

Bernie Dignam’s grandfather fought in World War I and was one of the unfortunate soldiers who saw action in Gallipoli, a horrific experience which damaged him for life. But he never forgot his fellow soldiers and for years afterwards, would mark Remembrance Sunday by wearing a poppy and marching in their memory.

In the 1920s, that didn’t win him many fans in the newly-independent Ireland, says his artist granddaughter Bernie who lives in Moyard, outside Clifden. Bernie never knew her granddad but admires him for staying true to himself, despite the consequences. It’s easy see why she would because she’s cut from the same cloth.

Her grandfather was from north inner-city Dublin and Bernie was reared in Finglas, the oldest of a family of eight children. Her journey to North Connemara brought her to Limerick and Monaghan before she finally arrived in the 1990s, to work in Letterfrack.

Moyard, between Clifden and Letterfrack, is where she built her home and it’s where she now runs her studio and art gallery, showcasing her work across a variety of genres – felting, weaving, batik and printmaking. It’s inspired by nature, mostly by the local landscape.

Bernie’s background is in design – after graduating from DIT, she did a research project in UL on the use of Irish softwood.

But there weren’t many jobs in design and product development when she left college and she didn’t have any connections in the industry. So she did a diploma that would allow her teach art and design, which is where she developed her passion for such processes as felting and batik.

She’d grown up around textiles, she explains, as her father, Christy, was an upholsterer. His day job was with CIÉ as a steady income was needed for his large family. But in his spare time, he upholstered furniture in a shed at the back of their house. She describes him as a master craftsman and an expert on fabrics. Her mother, Teresa, meanwhile, was “very practical. She fixed our bikes, made our clothes and knitted Aran jumpers for us”.

Read Judy Murphy’s in-depth interview with Bernie Dignam in this week’s Connacht Tribune, on sale in shops now – or you can download the digital edition from www.connachttribune.ie

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Connacht Tribune

Bowing out after 31 years’ service

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James Harrold with the owner of Claregalway Castle, Eamonn O'Donoghue, (left) in July 2019 when he officially launched the bilingual publication, The Claregalway Castle Project which celebrated the history and restoration of the castle.

James C Harrold has played a key role in Galway’s artistic life for more than three decades. The retiring City Arts officer reflects on his years working in the county and city, and shares memories of artists, events and places, while also looking to the future.

 

Since 1990 I have been working with the artists, arts organisations, communities and neighbourhoods of Galway; for ten years as City and County Arts Officer, and subsequently specifically in the city. I had returned to Galway from Wexford Arts Centre where I had been Artistic Director, but before that I had spent a lot of time in the West. Every childhood summer was enjoyed in Barna, I went to college here, to UCG, and had worked with Galway Arts Festival, the Arts Centre and Macnas.

My romantic and adoring view of Galway originated in early-years visits to Kennys’ with my bibliophile father, or to Charles Lamb’s studio in Carraroe, or to my mother’s family in musical Belclare at the foot of Knockma.

‘Galway is a paradise,’ I stated firmly in a newspaper profile to mark my appointment.

I was one of the first of the new Local Authority Arts Officers, co-funded by the Arts Council with a brief to develop local arts.

Based in possibly Ireland’s oldest prefab at the back of the County Buildings in Prospect Hill, a handy base to explore from, create and curate projects, networks and funding opportunities, I was tasked to advise and assist the city and county in policy, programming and grant aid. My dear friend and college colleague Michael Diskin had returned to Galway on the same day, February 19th.

For the next 22 years, with Mike from 1994 ensconced in the Town Hall Theatre we met two or three times a week. Back in the ‘80s we had been inspired by Ollie Jennings and Páraic Breathnach, who had laid the foundations for so much of Galway’s creative reputation. We were following in their mighty footsteps and developing our own pathways too.

Early forays into the county involved bringing Little John Nee to the towns and villages every weekend that summer. His children’s shows, mainly open-air in the little market squares of east and north Galway opened conversations that are continuing still.

Read the full story in this week’s Connacht Tribune, on sale in shops now – or download the digital edition from www.connachttribune.ie

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