Date Published: 12-Aug-2008
DAVID O’Leary, an NUI Galway Law student, will have the honour of singing The Star Spangled Banner live on television and before a sell-out crowd of 55,000 people at a major baseball game in New York on Saturday, August 23.
In one of the last games at Shea Stadium, home of the New York Mets baseball team, the young Irish tenor will sing the American national anthem at the last ‘Irish Night’ before the Mets move to their new home at Citi Field.
It is the second time David has had the honour of singing for the New York team, the first having taken place last September, just as he was beginning his LLB at NUI Galway.
A graduate of Legal Science and French, the 24 year-old Wexford man is spending his third summer in New York studying voice with internationally renowned vocal coaches and accompanists and, despite his impending conferral with the LLB, intends to ursue a professional career in…
The way we were – Protecting archives of our past
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
For more from the archives see this week’s Tribunes here
Ruby ready to rock again and Bob is worth a big flutter in Gold Cup
Date Published: 06-Mar-2013
New edge to Galway hurling championship title pursuit
A battle of talent and the ability to pull in public votes
Date Published: 11-Mar-2013
Here is a question. And there is no holiday or grand prize for getting the answer. But can anyone name the people who have won The Voice of Ireland and what has become of them?
Over across the water in the UK they have The X Factor and while I hate the concept of it, it has produced a few stars even though they don’t last long in the whole scheme of things.
But The Voice of Ireland seems to generate false excitement with the winner ending up become more anonymous than they already were. And it is costing families a fortune in the process.
While the programme is a ratings winner, strangely, it has resulted in those getting through to the final stages investing huge amounts of money in the hope that they will receive enough votes to get through to the next stages.
So, suddenly, it is not about the voice or the talent involved, it is all about votes and who the participants can convince to pledge their support for them. So it is obvious that talent goes out the window.
It means that someone with half a talent could realistically win the whole thing if they generated enough support behind them. From now on, the judges will be taken out of the equation and it will be left to the public to generate income for some phone operator.
Those who get through to the live performances have to engage in a massive publicity campaign in an effort to win votes which makes this whole effort a pure sham. It is no longer about their ability and just an effort to win appeal.
While the initial process does involve some vetting of the acts, now it becomes a general election type exercise in which the most popular will win the competition and the judges will have no say whatsoever.
It is a bit like the recent Eurosong in which the judging panel across the country voted for their favourite song, which incidentally was the best of a very bad lot, but then this was overturned by the public who chose a relatively crap song to represent us.
But again, this was all down to convincing the public about who to vote for rather than having any bearing on the quality on offer. There are times that genuine talent becomes overlooked because of the need to extract money from the voting public.
For more, read this week’s Connacht Sentinel.