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Mod-pop on menu from Aftermath

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Date Published: 04-Jun-2010

THE Aftermath play the Róisín Dubh this Friday, June 4, as part of the Jagermeister Freezer Sessions. The rock band, from Drumlish, Co Longford are part of a triple bill that includes Galway indie heroes Disconnect 4 and the slick guitar-pop of Director.

Lead singer with The Aftermath, Johnny Cronin, is in gregarious form as he takes a break from recording in Mullingar.

“We’ve a studio here,” he says. “The Blizzards recorded here and Shane Mac- Gowan was here last November. He was down here with The Nips – the band before the Pogues. They were a punk band. My brother Mick, who’s in The Aftermath, plays drums for them.”

Having The Pogues singer in the studio was a memorable experience for Johnny.

“It was magical,” he recalls. “He didn’t go to sleep for the four days and he was just watching [1970s music programme] The Old Grey Whistle Test. But he sang five songs here, completely in tune. He’s a pure professional, still. We’re playing with him in Athlone in July, with Mundy and Sharon Shannon.”

Johnny is enjoying life in The Aftermath, a band whose style is sometimes described as Brit-pop, but is described by themselves as Mod-Pop, as they prepare for a hectic summer schedule and put the finishing touches to their second album.

“We’ve got the Electric Picnic this year, and the Rose of Tralee; we’ve the Bundoran Surf Fest; we’ve the Birr fest; and we’ve the Indiependence festival. And we’ve the marquee in Drumlish! “We’re just in the middle of recording our new album, so we’re busy,” he continues.

“We have nine songs down. We’re releasing a single in July and another one in September; we’ll release the album in January then.”

When Johnny speaks, his accent drifts from the Midlands to Northern England – a result of family upping sticks when he was younger.

“We lived in Leeds for about eight years – during the last recession!” he laughs. “My Dad was a JCB driver and there wasn’t much work around Drumlish. We ended up there and we’re back here seven and a half years. Hot Press once said ‘Yorkshire culchies’ – that was the accent!”

The Aftermath will be releasing Lost Possession as the lead single for their as yet untitled new album. The four piece made their debut with Friendlier Up Here in 2008, a CD filled with catchy, sing-along-to songs. For this record they have enlisted the services of engineer Ger MacDonald, who has worked with Julie Feeney, Travis and U2. The Drumlish quartet has also reunited with Karl Odlum, well known for his work with The Frames.

Although The Aftermath have toured regularly in the UK, Johnny admits their sound is not what some of the Irish community would go for. “In Leeds, Manchester and Liverpool there’s an awful big Irish contingent. It’s mad, the Irish centre in Leeds, it’d be very trad. Big communities from Donegal, Galway and Mayo; they’re kind of more Irish, in some ways. We live in Mullingar now and in Leeds they’d want to hear trad whereas over here they want to hear Kaiser Chiefs and Arctic Monkeys!”

For more of this interview see page 28 of this week’s City Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr

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Date Published: 23-Jan-2013

images/files/images/x3_Courthouse.jpg

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Archive News

Athenry fail to take chances as they bow out of Junior Cup

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Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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