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Love/Hate – criminal world more mincing than menacing



Date Published: 22-Nov-2011

IN fairness to the producers of Love/Hate, they did everything they could to make RTÉ’s crime drama seem more realistic – but until they slash the faces of the pretty boy gangsters with a flick knife, they’re on a hiding to nothing.

There was more grit on the Headford Road during the big freeze (and that’s saying something) than you’d ever find in what could so easily be a credible drama – if you recast the whole thing and started from scratch.

Even John Boy Power – supposedly the big cheese of the criminal underworld – has a sort of chestnut hairstyle that wouldn’t be out of place if Hello magazine were to drop by for a shoot on At Home With a Mild-mannered Scumbag. Not so much John Boy Power then, as John Boy Walton.

But in addition to a growing cocaine habit and a sleep disorder, John Boy has also gained himself a new girlfriend, and our first glimpse of his new lady is not uneasy on the eye as she exits the bed in the suit that God gave her.

If that engaged the attention of the male viewership, then the females were probably sated by the sight of the semi-naked Darren Tracey writhing around in the throes of his nightmare after he was left for dead at the end of the last series.

Now Darren, in particular – played by Robert Sheehan – is about as realistic a hit man as I’m an Olympic athlete but clearly he’s there to provide the eye candy while the loopers get on with the killing and dog fighting and dealing in drugs.

A criminal with a conscience is as rare as a Greek who pays income tax, but Darren spends endless hours wrestling with his conscience and ultimately only going back into the underworld to spare his pregnant sister (Ruth Bradley) from a terrible hiding.

The last time Darren tried to walk away from John Boy’s underworld he was shot by Stumpy. A lesser man would have died of course, but then there’d only be half a second series. So he survives, with bullet holes you’d drink tea out of, and a social conscience that makes him stand out like the Pope at an orgy.

Now that Hughie the psychopath is dead, the best laughs come from Nidge, now John Boy’s second in command, but a man who would struggle to instil fear in a fly. Not since Larry Grayson first hit the television screens have we seen a man walk with more mince than menace.

For more on Love/Hate and Craig Doyle’s The Social see this week’s Sentinel

Galway in Days Gone By

The way we were – Protecting archives of our past



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr



Date Published: 23-Jan-2013


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Archive News

Athenry fail to take chances as they bow out of Junior Cup



Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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