Date Published: 26-Nov-2009
OLD foes will meet at a familiar stage when Galway title holders Athenry and 2007 All Ireland Club champions Cashel lock horns in what promises to be an explosive senior camogie showdown on Sunday at St. Conleth’s Park, Newbridge (2pm).
The two strongest club teams in the land haven’t clashed since that November day in 2007 when the underdogs from Cashel quite simply played the favourites from Athenry of the pitch in an unforgiving display of pace, power and precision. The result was nothing beyond a shock and Sunday’s encounter provides the Athenry women with a shot at revenge, but more importantly a chance to right the wrongs of the 2007 decider.
Midge Glynn and her backroom team of PJ Molloy, Eugene Cloonan, Dermot Monaghan and Frank O’Shea will again have to plan without the services of former All Star winner Jessica Gill – out with cruciate ligament problems – while successful Galway Intermediate goalkeeper Deirdre Ward is ruled out with a cruciate injury also.
On the better news front, corner forward Mary Keogh has returned to the fold following a bout of tonsillitis which kept her out of the semifinal win over Loughgiel. Athenry, who are chasing their first All Ireland Club title since 1977 having reached the final on six other occasions, are in the decider on merit.
Despite a group stage defeat to Mullagh, they advanced to the county semi-final where they staggered past Pearses by a narrow two point margin (0-14 to 2-5). This set up a county final meeting with Killimor and while many fancied the young pretenders from East Galway to put end to Athenry’s reign, the county champions displayed a steely resolve to take their fourth consecutive title and 16th in total.
Certainly, the Galway club championship has fostered a ruthless mentality which was very much evident in their semi-final triumph. They were fully deserving of their 15 point winning margin, clocking up 1-12 in the first-half as all six forwards scored from play.
Given the nature of Athenry’s sublime display against Loughgiel Shamrocks in the All Ireland club semi-final, the management team will be reluctant to change the dynamic of a winning team heading into Sunday’s final.
Consequently, Stephanie Gannon will continue to man the posts, while the tigerish Darelle Coen, the improving Alice Poniard and the ever dependable Katherine Glynn will stand sentry in the full back line.
In the wing back berths, Ciara Cunniffe and Krystle Ruddy will again be deployed. Ruddy was so impressive in the County final, but faces the ultimate test on Sunday as she will be responsible for curtailing the threat of the imperious Claire Grogan.
The tenacious Regina Glynn will anchor the defence from centre-half back. Laura Linnane, whose flawless free taking will prove so vital on Sunday, and Sarah Donoghue will start at midfield while the half forward line should comprise of Katie O’Dwyer, Noreen Coen and Therese Maher.
Maher has regularly started on the edge of the square before being pulled out to the forty. This Sunday may prove different though as the ace forward might be required to play the full hour at full forward in an effort to stamp out the authority of Cashel captain and full back Una Dwyer.
Mary Keogh and Brenda Keirns will start in the corner forward positions. Keogh was a delight to watch in the County final shooting (2-2), while Keirns ran riot in the semi-final grabbing four wonderful points. If the supply lines are kept open to the dynamic duo then Athenry, without a doubt, will run up a match winning score. Nicola Nally will more than likely occupy the sixth attacking position.
Athenry will be somewhat buoyed by the fact that when these two sides met in 2007, Athenry entered the contest as favourites. The tag proved too much for the Galway girls as they wilted under the intense pressure applied by the Tipperary outfit. This time around, however, the tables have turned and it is Cashel who assume the role of favourites.
The way we were – Protecting archives of our past
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Ruby ready to rock again and Bob is worth a big flutter in Gold Cup
Date Published: 06-Mar-2013
New edge to Galway hurling championship title pursuit
A battle of talent and the ability to pull in public votes
Date Published: 11-Mar-2013
Here is a question. And there is no holiday or grand prize for getting the answer. But can anyone name the people who have won The Voice of Ireland and what has become of them?
Over across the water in the UK they have The X Factor and while I hate the concept of it, it has produced a few stars even though they don’t last long in the whole scheme of things.
But The Voice of Ireland seems to generate false excitement with the winner ending up become more anonymous than they already were. And it is costing families a fortune in the process.
While the programme is a ratings winner, strangely, it has resulted in those getting through to the final stages investing huge amounts of money in the hope that they will receive enough votes to get through to the next stages.
So, suddenly, it is not about the voice or the talent involved, it is all about votes and who the participants can convince to pledge their support for them. So it is obvious that talent goes out the window.
It means that someone with half a talent could realistically win the whole thing if they generated enough support behind them. From now on, the judges will be taken out of the equation and it will be left to the public to generate income for some phone operator.
Those who get through to the live performances have to engage in a massive publicity campaign in an effort to win votes which makes this whole effort a pure sham. It is no longer about their ability and just an effort to win appeal.
While the initial process does involve some vetting of the acts, now it becomes a general election type exercise in which the most popular will win the competition and the judges will have no say whatsoever.
It is a bit like the recent Eurosong in which the judging panel across the country voted for their favourite song, which incidentally was the best of a very bad lot, but then this was overturned by the public who chose a relatively crap song to represent us.
But again, this was all down to convincing the public about who to vote for rather than having any bearing on the quality on offer. There are times that genuine talent becomes overlooked because of the need to extract money from the voting public.
For more, read this week’s Connacht Sentinel.