Date Published: 31-Jan-2013
WITH every Spring there comes a dollop of hope and when Galway footballers trot out on Sunday at Pearse Stadium (2pm) to take on Derry in the first match of the National League, there will be murmurings of better days to come for the hard core of maroon supporters.
Patience has had to be a virtue for all involved with Galway football over recent years, but Alan Mulholland and his management team have embarked on a policy of building a young team . . . a slow process and one that also requires the injection of winning key matches to build up the confidence reserves.
Championship and qualifier defeats to Sligo and Antrim last season didn’t exactly improve the mood of the county, and last Sunday week in Enniscrone, there were worrying signs when, once more, Galway perished at the sword of Kevin Walsh.
This time last year in the first match of the league, Galway travelled to Derry and came away with an unexpected victory that sowed the seeds of future hope – overall, Mulholland’s charges had a good early season campaign only being denied promotion by a late, late Kildare penalty goal in their last game at Pearse Stadium.
Over the Winter, Galway’s last playing links with the All-Ireland winning team of 2001 were severed with the retirements of Padraic Joyce and Joe Bergin, so it really is a new canvas in 2013 for the team management.
Mulholland said this week that he didn’t want to put too much pressure on his team for the Derry match, on the basis that there were 14 points to be picked up over the course of the league campaign, but he was still hoping for a strong performance in Pearse Stadium.
“Yes, we were very disappointed at our defeat to Sligo in the FBD league match in Enniscrone and especially with our second-half performance. It was an eye-opener for us but we’ve regrouped since, we’ve taken a look at where things went wrong, and hopefully we’ll get in right for Sunday.
“I suppose that if there’s one thing a young team needs, it’s confidence and that comes from winning matches. Over the last couple of months, the lads really have put in a huge effort in terms of their physical preparation, and I am hoping that this will count for something over the course of the league,” Mulholland told Tribune Sport.
He did stress however that Derry will present a very strong challenge under new manager Brian McIver (who guided Donegal to National League success) – a man who has also placed his faith in a youth policy – with the county having delivered some strong performances in the McKenna Cup.
“There’s a lot of football talent in Derry and maybe like ourselves, they might feel that they should be doing better, but they’ll come to Pearse Stadium on Sunday with no fears, and we know that it will take a huge effort to beat them,” said Mulholland.
Derry didn’t make it through to the McKenna Cup decider but they were, by all accounts, desperately unlucky to lose out to Tyrone in their first round game when they were ‘caught’ by a late sucker punch goal from Conor McAliskey.
Eoin Bradley is also back to spice up things in the Derry attack and the Northern side always carry a strong physical element to their play, so Galway will need to hold their own in the 50-50 scraps for possession.
For more, read this week’s Galway City Tribune.
The way we were – Protecting archives of our past
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Ruby ready to rock again and Bob is worth a big flutter in Gold Cup
Date Published: 06-Mar-2013
New edge to Galway hurling championship title pursuit
A battle of talent and the ability to pull in public votes
Date Published: 11-Mar-2013
Here is a question. And there is no holiday or grand prize for getting the answer. But can anyone name the people who have won The Voice of Ireland and what has become of them?
Over across the water in the UK they have The X Factor and while I hate the concept of it, it has produced a few stars even though they don’t last long in the whole scheme of things.
But The Voice of Ireland seems to generate false excitement with the winner ending up become more anonymous than they already were. And it is costing families a fortune in the process.
While the programme is a ratings winner, strangely, it has resulted in those getting through to the final stages investing huge amounts of money in the hope that they will receive enough votes to get through to the next stages.
So, suddenly, it is not about the voice or the talent involved, it is all about votes and who the participants can convince to pledge their support for them. So it is obvious that talent goes out the window.
It means that someone with half a talent could realistically win the whole thing if they generated enough support behind them. From now on, the judges will be taken out of the equation and it will be left to the public to generate income for some phone operator.
Those who get through to the live performances have to engage in a massive publicity campaign in an effort to win votes which makes this whole effort a pure sham. It is no longer about their ability and just an effort to win appeal.
While the initial process does involve some vetting of the acts, now it becomes a general election type exercise in which the most popular will win the competition and the judges will have no say whatsoever.
It is a bit like the recent Eurosong in which the judging panel across the country voted for their favourite song, which incidentally was the best of a very bad lot, but then this was overturned by the public who chose a relatively crap song to represent us.
But again, this was all down to convincing the public about who to vote for rather than having any bearing on the quality on offer. There are times that genuine talent becomes overlooked because of the need to extract money from the voting public.
For more, read this week’s Connacht Sentinel.