Country Living with Francis Farragher
Some of my more learned colleagues in the world of rugby don’t have much time for the musings of one George Hook, but I kind of like the old codger on Newstalk radio in the evenings, when I aim the horse for home. He does pontificate a bit and rambles all over the place, but for all that, he’s entertaining, and regularly enough, he does talk to people who present alternative views to the status quo.
Last week, he interviewed a Professor Leslie Woodcock, who didn’t pull any punches in his views on global warming and who has for many years espoused the view that a ‘great scientific con job’ is being perpetuated, largely driven by billions of euro and dollars of public money being spent on research projects that’s keeping tens of thousands of scientists all over the world in well paid jobs.
Now, I’m not even remotely qualified to make any scientific judgment on Professor Woodcock theories, although this guy is no ‘daw’ being a professor emeritus of chemical thermodynamics at the University of Manchester with a PhD from the University of London and a former NASA (The National Aeronautics and Space Administration in the US) scientist, as well as being a Fellow of the Royal Society of Chemistry.
What is somewhat disturbing over the past couple of years in this whole issue is that there has been a concerted move to stifle any dissent on the whole issue of global warming. Even people like former president Mary Robinson have been putting forward the notion that we shouldn’t have balance in this debate any more . . . that we should all ‘join the herd’ and accept without question the consensus side of the debate.
Even over recent times, the BBC have given a commitment to reduce the amount of time given to climate change sceptics on radio and television, and dictates like that always send out warning signals. The climate sceptics might be in the minority and might not be right, but they are quite entitled to make their case and be heard.
Anyway back to Professor Woodcock. He maintains that the earth will always have a natural balance to it, pointing out that carbon dioxide (CO2) – supposedly ‘the great enemy of the earth’ – is in fact ‘the gas of life’ that we breathe out every day from our lungs while the plants breathe it in.
For more, read this week’s Connacht Tribune.
Galway poet’s new chapter as debut novel hits the shops
“I hated school so much I thought if I could be a teacher, I could make it a bit better,” says novelist and poet Elaine Feeney about her day-job as an English and History teacher at St Jarlath’s College in Tuam.
The Athenry woman certainly has made it livelier and more relevant. Her students who were studying Hamlet for this year’s Leaving Cert departed from the text to give the troubled prince psychotherapy sessions, with different boys taking on the roles of Hamlet and the therapist as they explored the plot. Elaine laughs as she recalls how they got totally caught up in it. There’s always an entry point to good writing, she says, adding that she loves Shakespeare – in part because of the soap opera element to his drama.
“You can compare it to the latest episode of EastEnders”.
The Handmaid’s Tale by contemporary Canadian novelist Margaret Atwood is also on the curriculum. Her novel might seem more relevant to the boys, especially given its global success since being adapted for television. When Elaine learned that Atwood would be visiting Galway in early March this year for a Galway 2020 event, she asked the organisers if it would be possible for the class to meet her and discuss her work. That’s what happened and 25 young men in their school blazers spent three hours discussing the novel with Atwood.
Elaine lectures in Creative Writing at NUIG and has been involved in the university’s project archiving the stories of the survivors of Tuam’s Mother and Baby home. So, watching her students engage with a woman whose books deal with the misuse of power and oppression of women was a great moment.
It’s an example of how far she’ll go to give the students the best preparation for exams and for life. Elaine has a great relationship with them, something she’ll miss next year as she takes a career break to promote her own novel, As You Were, published by UK company Harvill Secker.
Read the full interview with Elaine Feeney in this week’s Connacht Tribune.
Live album looks after those who make it real
Anyone who has seen Mick Flannery play live will know that the Corkman doesn’t embrace the spotlight with both arms. There is a sincerity to what he does – his reluctance to operate as any sort of frontman is only outweighed by passion for his craft.
His shows are intimate and they’re backed up by a studio-quality sound and a genuine engagement between artist and audience. It is what happens when someone who doesn’t like talking about themselves ends up pouring their heart out on stage.
It is fitting, then, that Mick’s new album revolves around the people around him. All of the proceeds for Alive – Cork Opera House 2019, the singer-songwriter’s first live LP, will be shared among members of his band and crew who have lost work during the COVID-19 pandemic.
It’s a major gesture from a modest talent and Mick is quick to point out that the album reflects just how much he owes to those that share his stage.
“I’m glad that it’s there as a tribute to them,” he says of the album. “I think Alan Comerford had a great gig that night on electric guitar with the solos that he played. Matthew Berrill was on the brass and he did some lovely stuff.
“There’s a few of the lads in the band who have music as their sole income. It’s not always easy to do that. It’s constantly booking gigs in bars around the place and that but it’s what they do and it’s what they have a passion for. They’ve worked hard to do what they love for a living and now these circumstances have taken that away.
“I have a kind of area to pivot – I can start writing songs and preparing albums whereas for the crew, without the live gigs their skillset is not being used at all… Lighting engineers and sound engineers, riggers, people that have built up PA companies over the years and small venues as well.”
For full interview, read this week’s Connacht Tribune.
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Arts Festival is still giving it socks!
“This is not a July festival as people know it, moved forward. It’s a different creature” says Artistic Director of Galway Arts Festival Paul Fahy about the organisation’s ‘Autumn Edition’ which is being held in reality and virtually in September and October following the cancellation of the July 2020 Festival due to Covid-19.
The aim is to bring live audiences into performances in a safe way, “to re-ignite that spark between live art and audience”, while also using digital platforms to reach those who might not be able to attend live events due to Covid-19.
He’s understandably excited about Mirror Pavilion, a major installation by artist John Gerrard commissioned by the Festival for Galway 2020 European Capital of Culture.
It will launch in Galway City’s Claddagh Quay on September 3, and will also be in Derrigimlagh Bog in North Connemara for October.
Gerrard is known for spectacular, large scale outdoor works such as Western Flag in California’s Coachella Desert and this work will be one of the largest outdoor installations ever in Ireland.
It will consist of three walls and a roof made of reflective glass while the fourth wall is an LED screen.
Two new artworks will be presented in the Pavilion; Corn Work at Claddagh Quay and Leaf Work at Derrigimlagh.
These connect with their specific setting, with Corn Work reflecting the power of the River Corrib and the many mills and industries it powered in bygone days.
Leaf Work, in the vast spaces of Derrigimlagh is a lament for the environmental damage that’s been caused to the world in the past century.
See full line-up and story in this week’s Connacht Tribune.