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Glass always half empty for RTÉ’s sporting gurus

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TV  Watch with Dave O’Connell

Given his past brushes with the law over his alcohol intake, it’s perhaps a little ironic to describe Eamon Dunphy as a ‘glass half empty’ merchant – but bloody hell, he can be a hard man to please.

To look at himself, Gilesy and Chippy on the panel, you’d have thought that someone got mixed up and invited a team of undertakers to plan the wedding.

They were in bad, bad form in a way that probably better reflected the mood in Germany than it did on the streets of Dublin – but these boys are loved for the analytics, not their emotions.

Our Boys in Green had just held the World Champions to a famous draw in Gelsenkirchen but to listen to Eamon you’d have thought we’d been hockeyed off the pitch.

The other pair weren’t much better, neither aided by the fact that they sound like oul fellas giving out about the rest of the world from the comfort of their high stool at the bar.

They’re the bores you’d do 360 degree turns to avoid on a night out; they’d see a Lotto win as an unwelcome financial burden that would ruin your life.

And yes, they are employed as analysts which means not getting caught in the trap of looking like fans with access to the airwaves – but it’s actually alright to be fans too.

We’re not going to get all technical here, but they did of course have a point that Glenn Whelan isn’t an international footballer and that someone should have closed down the German scorer, Toni Kroos, before he got the chance to finally beat Galway’s finest, David Forde, between the posts.

And they are right to suggest that Jon Walters is no winger, Aiden McGeady is no central midfielder and that Wes Houlihan brings an attacking flair to the team that is otherwise lacking.

But Dunphy’s assertion that this was just the Trapattoni era with a Derry accent….a team with ‘no belief with the ball, no conviction’? Seriously.

“We’re not going to qualify – there’s no ifs, buts or maybes. It has to be called what it is,” he told the viewing world, ignoring the fact that we’re actually joint top of our qualifying group, that we’ve drawn away to World Champions and have beaten another of our rivals away from home.

The fact that it took a late goal and a last gasp goal to achieve this makes it all the sweeter – unless you’re mounting a one-man campaign for Wes Houlihan to become the fulcrum of our Green Army.

For more, read this week’s Connacht Sentinel.

Connacht Tribune

Sisters in perfect tune for unique musical snapshot

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Breda and Claire Keville, photographed by Nutan. (Inset) The sisters, as depicted by artist Isabel Alegria, on the cover of the album.

Arts Week with Judy Murphy

“A snapshot in time,” is how musician and composer Claire Keville from Claran, near Headford, describes Music from Galway, the new CD which she and her sister Breda have just released.

With Breda on fiddle and Claire on concertina, it’s a gorgeous collection of music from all parts of Galway and beyond, a mix of slow airs, gigs, reels and marches. The sisters are accompanied by guitarist and longtime musical friend Terence O’Reilly on several tracks, which they recorded in the studio of his East Clare home in April of this year.

Claire, a French and Music teacher in Coláiste Iognáid (the Jes) in the city for the past decade, and Breda, who works as a radiation therapist in UHG, have previously released solo albums. Breda’s, The Hop Down, was released in 2006 and The Daisy Field, from Clare came out in 2009. Each guested on the other’s album, but this is their first joint recording, a project they’d been discussing for years.

When it did finally happen, it came together a lot more quickly than either of them had anticipated.

“I didn’t think we’d have it done this year,” says Breda, as Claire recalls that they discussed its timeframe in April, while driving from Galway to Terence’s home in Clare.

After that first day, when they recorded 10 tracks and realised that most of them would make the album, they reckoned it was achievable. Another session in An Spidéal with musician, ‘talented engineer and general all-rounder’,  Ronan Browne, convinced them it was and Music from Galway was launched at the Willie Clancy Festival in Miltown Malbay in July.

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

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Connacht Tribune

Telebox channel youthful energy into mature sound

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Telebox...new single and Róisín gig.

Groove Tube with Cian O’Connell

Guitar-driven, alternative rock four-piece Telebox are the latest product of the talented youth music scene in Galway. And having packed out the Róisín Dubh in all all-ages gig in May, they are returning to the Dominick Street venue this Sunday at 2.30pm to celebrate the release of their second single.

The group consists of frontman Joe Kelly, guitarist Conall Ó Floinn, drummer Stevie Healy and bassist Eoin Killeen – and their Signs of Joy is available on streaming platforms from this Thursday. It is a smooth and hook-laden follow-up to Platonic Plague, a debut reminiscent of The La’s in its ringing guitars and post-punk pop melodies.

Telebox are a shining example of the ability that exists among teenage Galway musicians, and they serve as a reminder of the need for arts spaces that welcome crowds of all ages.

“For us, the reason we did [the Róisín gig] was that half of us are still underage,” Joe explains. “We find it really hard to get pub gigs and we have connections to the Róisín, so we went to them and said we’d love to do an all-ages thing.

“A lot of our friends are underage as well, so it was a chance for everyone to come together again. No one can go to pubs or anything like that and we’re too old for discos and that sort of thing. It’s a nice middle ground.”

“It was unbelievable,” Eoin recalls. “We couldn’t believe the energy that people brought. It’s like 2pm, 3pm in the day. People aren’t drinking, everyone is sober, and they’re still dancing and enjoying themselves.”

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

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CITY TRIBUNE

Tunes in the Church returns with August concert series

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Tunes in the Church returns with August concert series

The Tunes in the Church concert series returns to Galway after a two-year break. The award-winning, series held in St Nicholas’ Collegiate Church, will run for the next two weeks, taking place on Tuesday, Wednesday, Thursday and Friday nights.

The concerts will feature some of Galway’s finest musicians, singers and dancers, with two musicians and a dancer performing each night. During the interval, there will be a short historical tour of St Nicholas’ Collegiate Church, which celebrated 700 years in existence in 2020.

Tunes in the Church began in 2010, set up by Kerry musician and Galway resident Cormac Begley, who wanted a way of presenting traditional music that was family-friendly and respected the tradition. It is an acoustic, authentic, personal and interactive representation of Irish music, song and dance.

Interaction between the audience and performers is central to the experience, Cormac explains, with relaxed, natural, conversation being a feature of all the concerts.

Tunes in the Church provides a respectful and family-friendly setting for the listener and creates a platform where leading exponents of traditional music can showcase their talents. For more information and to book go to www.tunesinthechurch.com

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