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Galway mourns passing of county’s first Olympian at age of 90

Bernie Ni Fhlatharta

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Date Published: 20-Feb-2013

Galway’s first Olympian, Oughterard native Cummin Clancy has sadly passed away at his home in Garden City, New York at the age of 90.

A former national discus champion and record holder, Cummin represented Ireland at the Olympic Games in London in 1948, having qualified after winning the British AAA Championship less than a month earlier. In doing so, he became the first Galway athlete to represent his county at the Olympic Games.

Born on November 9, 1922, Cummin, who returned regularly to his native Glann in Oughterard, was a man of humble beginnings but he went on to become a central figure in Irish athletics and later in New York’s business community.

One of five children – two brothers and two sisters – his childhood years were tinged with sadness, as his father died when he was four years of age while his mother sadly passed away when he was ten.

Relatives and the community rallied around the family, however, and in his teenage years one of the fundamental events of his life took place. Through one of his brothers, a District Leader in the Local Defence Force (LDF), Cummin met Ned Tobin, a local based Garda from Tipperary who was the national champion at the discus and he introduced him to the sport.

So impressed was Tobin with the 17-year-old that he took Cummin under his wing and in the ensuing years, the Munster mentor encouraged his charge to take the Civil Service exam, which he did through Irish, and he later was one of 80 candidates selected to join An Garda Síochána.

In Dublin, Clancy teamed up with Tom Maguire, a coach at Trinity College, and Chapelizod athletic club Donore Harriers to perfect his game, while he also joined St. Mary’s RFC upon the encouragement of a young Ulick O’Connor, who would later become the great Irish writer. As Clancy was to find out, discus throwing and rugby proved to be two sports that were to complement one another.

Inspired by Tobin’s achievements, Cummin began to blaze his own trail and became the Irish champion, registering a new PB and breaking the Irish record, in 1948. His throw was to stand for 19 years. He subsequently took part in the British Championships (AAA) and also claimed the title at that meet.

That took place two weeks before the 1948 Olympic Games and the victory was hugely important in cementing his place at the XIV Olympiad.

Speaking to the Connacht Tribune on a visit back to Oughterard in the Summer of 2009, Cummin reflected on that exciting time of his life. “The Olympic Games was the biggest event in the world and it was also a great experience in my life to be in Wembley.

“A few of the family travelled over for it. I suppose, at that time, I was the best around the British Isles, winning contests in Ireland, England, Wales and the Highland Games in Scotland.”

Read his full obituary in this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Archive News

Ruby ready to rock again and Bob is worth a big flutter in Gold Cup

Bernie Ni Fhlatharta

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Date Published: 06-Mar-2013

New edge to Galway hurling championship title pursuit

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A battle of talent and the ability to pull in public votes

Bernie Ni Fhlatharta

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Date Published: 11-Mar-2013

Here is a question. And there is no holiday or grand prize for getting the answer. But can anyone name the people who have won The Voice of Ireland and what has become of them?

Over across the water in the UK they have The X Factor and while I hate the concept of it, it has produced a few stars even though they don’t last long in the whole scheme of things.

But The Voice of Ireland seems to generate false excitement with the winner ending up become more anonymous than they already were. And it is costing families a fortune in the process.

While the programme is a ratings winner, strangely, it has resulted in those getting through to the final stages investing huge amounts of money in the hope that they will receive enough votes to get through to the next stages.

So, suddenly, it is not about the voice or the talent involved, it is all about votes and who the participants can convince to pledge their support for them. So it is obvious that talent goes out the window.

It means that someone with half a talent could realistically win the whole thing if they generated enough support behind them. From now on, the judges will be taken out of the equation and it will be left to the public to generate income for some phone operator.

Those who get through to the live performances have to engage in a massive publicity campaign in an effort to win votes which makes this whole effort a pure sham. It is no longer about their ability and just an effort to win appeal.

While the initial process does involve some vetting of the acts, now it becomes a general election type exercise in which the most popular will win the competition and the judges will have no say whatsoever.

It is a bit like the recent Eurosong in which the judging panel across the country voted for their favourite song, which incidentally was the best of a very bad lot, but then this was overturned by the public who chose a relatively crap song to represent us.

But again, this was all down to convincing the public about who to vote for rather than having any bearing on the quality on offer. There are times that genuine talent becomes overlooked because of the need to extract money from the voting public.

For more, read this week’s Connacht Sentinel.

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