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Followers of Otis bring new buzz to local music scene

Bernie Ni Fhlatharta



Date Published: {J}

It’s a very interesting time in the Galway music scene as plenty of bands are emerging with their own sound and style. However, not all of them have the subtle, melodic power of The Followers of Otis. The band play upstairs in Róisín Dubh on Friday, May 14.


Their sound has evolved from a host of new instruments that lead singer Eoin received for his 21st birthday. New songs began to emerge from his dabbling with a melodica, a glockenspiel and a few harmonicas.

“I started messing around with these instruments and I started listening to other genres of music, things I wouldn’t normally listen to,” Eoin recalls. “Around then, I got a microphone for home recording. I was kind of getting frustrated before [that] I wasn’t getting enough recording done. I always felt that I could do an awful lot better.”

Eoin rallied his friends Brian and Danny and they agreed to put some tracks on to tape.

“It was a Friday evening, over a few cans at somebody’s house, and I was like ‘right, we’ll do it tomorrow’.”

The recording went well and The Followers of Otis were born. They now had a four-track EP to their name.

“It was a real buzz,” explains Eoin. “I’d been playing in bands since I was 13. The idea of the band was we’ll just get some good people together and, I know it’s so clichéd, but just really focus on getting records out and a good body of work together, and playing gigs.”

Buoyed by their new endeavour, The Followers of Otis agreed to play at a charity gig that a friend had organised. They came to the show with their instruments and box of their CDs.

“We only practised that day,” says Brian.

“I think we sellotaped covers together,” Eoin says about their first EP. “We gave them out free to people and we made up badges as well. The idea of giving away stuff for free gave us a bit of . . . momentum?”

“Probably,” Brian answers. “People like free stuff.”

The Followers of Otis released their debut album, And Those To Come Hereafter, last March. The idea behind the band is that every member is free to contribute, rather than follow the whims of a chief songwriter.

“This is our first full length album,” says Eoin. “Two guys have come in recently, Adam and Kieran. It’s not like ‘you play this and you do this’ it’s ‘how are we going to make this a good record? How are we going to make this a good gig?’.”

“There’s no dominant voice,” adds Brian. “Everyone throws in their ideas and no-one’s right and no-one’s wrong. It is a collective, very much so.”

Playing melodic folk is hardly anti-social behaviour but complaints against the band in their formative days in the city almost scuppered their album.

“The record we made before, we had a lot of trouble with neighbours,” explains Brian. “We were living up in College Road and anytime you’d strum a guitar you’d get a knock on the door. Or the landlady ringing. It was a nightmare.”

“We moved to a house

on the Docks, where we started this record,” Eoin says. “It was a much better place; there were big, thick brick walls and we only had a neighbour on one side. She was a really nice old lady. We could just play away to our hearts content and there was no worries. We were probably two months at it.”

Bands who work in studios will tell you about the challenges recording presents. Making a 12-track album in your front room is equally trying.

“We did come against a few problems,” Eoin recalls. “What we did before was four or five songs – you could do that in a couple of weekends. With other commitments – work, life, different things – there was a bit more of a challenge to get that bit more condensed in.

“There was some long hard looks in the mirror,” says Brian. “We recorded over the winter. We just got so heavy into it and you’d listen to something so many times you didn’t know what you were listening to.”

For more, read this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Archive News

Henshaw and McSharry set to field for Irish Wolfhounds in clash with England Saxons

Bernie Ni Fhlatharta



Date Published: 24-Jan-2013

CONNACHT’S rising stars Robbie Henshaw and Dave McSharry look set to named in the starting xv for the Ireland Wolfhounds who face the England Saxons in Galway this weekend when the team is announced later today (Thursday).

Robbie Henshaw is the only out-and-out full-back that was named Tuesday in the 23-man squad that will take on the English at the Sportsground this Friday (7.45pm).

Connacht’s centre McSharry and Ulster’s Darren Cave are the only two specialist centres named in the 23 man squad, which would also suggest the two youngsters are in line for a starting place.

Former Connacht out-half, Ian Keatley, Leinster’s second out-half Ian Madigan and Ulster’s number 10 Paddy Jackson and winger Andrew Trimble, although not specialist full-backs or centres, can all slot into the 12, 13 and 15 jerseys, however you’d expect the Irish management will hand debuts to Henshaw and McSharry given that they’ll be playing on their home turf.

Aged 19, Henshaw was still playing Schools Cup rugby last season. The Athlone born Connacht Academy back burst onto the scene at the beginning of the season when he filled the number 15 position for injured captain Gavin Duffy.

The Marist College and former Ireland U19 representative was so assured under the high ball, so impressive on the counter-attack and astute with the boot, that he retained the full-back position when Duffy returned from injury.

Connacht coach Eric Elwood should be commended for giving the young Buccaneers clubman a chance to shine and Henshaw has grasped that opportunity with both hands, lighting up the RaboDirect PRO 12 and Heineken Cup campaigns for the Westerners this season.

Henshaw has played in all 19 of Connacht’s games this season and his man-of-the-match display last weekend in the Heineken Cup against Zebre caught the eye of Irish attack coach, Les Kiss.

“We’re really excited about his development. He had to step into the breach when Connacht lost Gavin Duffy, and he was playing 13 earlier in the year. When he had to put his hand up for that, he’s done an exceptional job,” Kiss said.

The 22-year-old McSharry was desperately unlucky to miss out on Declan Kidney’s Ireland squad for the autumn internationals and the Dubliner will relish the opportunity this Friday night to show-off his speed, turn of foot, deft hands and finishing prowess that has been a mark of this season, in particular, with Connacht.

For more, read this week’s Connacht Tribune.

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Archive News

Drinks battle brewing as kettle sales go off the boil

Bernie Ni Fhlatharta



Date Published: 30-Jan-2013

You’d have thought there might have been three certainties in Irish life – death, taxes and the cup of tea – but it now seems that our post-tiger sophistication in endangering the consumption of the nation’s second favourite beverage.

Because with all of our new-fangled coffee machines, percolators, cappuccino and expresso makers, sales of the humble kettle are falling faster than our hopes of a write-off on the promissory note.

And even when we do make tea, we don’t need a tea pot – it’s all tea bags these days because nobody wants a mouthful of tea leaves, unless they’re planning to have their fortune told.

Sales of kettles are in decline as consumers opt for fancy coffee makers, hot water dispensers and other methods to make their beverages – at least that’s the case in the UK and there’s no reason to think it’s any different here.

And it’s only seems like yesterday when, if the hearth was the heart of every home, the kettle that hung over the inglenook fireplace or whistled gently on the range, was the soul.

You’d see groups gathered in bogs, footing turf and then breaking off to boil the battered old kettle for a well-earned break.

The first thing that happened when you dropped into someone’s home was the host saying: “Hold on until I stick on the kettle.”

When the prodigal son arrived home for the Christmas, first item on the agenda was a cup of tea; when bad news was delivered, the pain was eased with a cuppa; last thing at night was tea with a biscuit.

The arrival of electric kettles meant there was no longer an eternal search for matches to light the gas; we even had little electric coils that would boil water into tea in our cup if you were mean enough or unlucky enough to be making tea for one.

We went away on sun holidays, armed with an ocean of lotion and a suitcase full of Denny’s sausages and Barry’s Tea. Spanish tea just wasn’t the same and there was nothing like a nice brew to lift the sagging spirits.

We even coped with the arrival of coffee because for a long time it was just Maxwell House or Nescafe granules which might have seemed like the height of sophistication – but they still required a kettle.

For more, read this week’s Connacht Tribune.

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