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Flexible ThisSideUp defy gravity in high-energy Arts Festival show

Bernie Ni Fhlatharta

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Date Published: {J}

“We are pretty flexible in mind and body,” says David Joseph of ThisSideUp Acrobatics, the Australian company who are bringing what he calls their “gravity-defying” show, Controlled Falling Project to this year’s Arts Festival.

The show which will take place in the Bailey Allen Hall at NUIG from next Tuesday to Thursday is billed as a “old science meets new circus in a heart-stopping, high-energy creative experiment”.

David plays mad Professor Archimedes who is exploring the limits of physicality in his workshop in the 1930s.

He sets tasks for three young men – his human guinea pigs – which allows them to explore the limits of physical endurance in a show that is filled with crash test dummies, blackboards and other strange contraptions.

David may be playing a nutty professor, but he’s not a sinister one.

“I love my boys and I love my lab. It’s all very good and happy,” he says.

His ‘three boys’ are acrobats Casey Douglas, Christian Schoonveld-Reid and James Brown, all arts graduates of Melbourne’s National Institute for Circus Acts, who perform “astounding acrobatic feats”, according to David.

These include balancing on one hand on a stack of chairs, leaning at a 45-degree angle. In another feat – developed by Russian acrobats – two of the acrobats balance a bar on their shoulders, while a third uses it as a platform for a series of leaps and mid-air tumbles.

“It’s very exciting. There’s a lot of strength, a lot of grace and a lot of comic movements,” explains David. “It’s high impact and when you see the show you are amazed at what the human body can do.”

David is an actor and musician who studied theatre and “dallied in circus and acrobatics” in his younger days, being a member of the renowned Circus Oz for three years.

About six years ago James, Casey and Christian established ThisSideUp and did several shows before embarking on Controlled Falling Project.

When they did, they asked David to choose its music. That he did and he also gave them ideas about developing the show, and so they asked him to join them and play drums.

“And things just rolled on organically from there,” he explains.

The characters in the piece have developed over the years, while the acrobatics tend to stay the same unless one of the cast is injured, or if the space they are performing in isn’t high enough or the stage isn’t flat enough.

“But we tend to change the theatrical elements and the sequences between acts.”

What is unusual about Controlled Falling Project is that the “three boys are on stage for almost all the show apart from a short break”.

While three guinea pigs perform “astounding acrobatic feats”, this show isn’t just about skills for skills’ sake– the theatrical elements give it a meaning, says David about the project.

For more, read this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr

Bernie Ni Fhlatharta

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Date Published: 23-Jan-2013

images/files/images/x3_Courthouse.jpg

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Athenry fail to take chances as they bow out of Junior Cup

Bernie Ni Fhlatharta

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Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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