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Eleanor McEvoy plays solo show at the Crane to celebrate new album

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Date Published: {J}

Eleanor McEvoy plays a solo show in The Crane Bar on Thursday, October 28. The Dublin born singer is embarking on an Irish tour to celebrate the release of her eighth album, I’d Rather Go Blonde.

The single from Eleanor’s latest album is Look Like Me, a song that reflects on the obsession with image in the music business.

“The immediate inspiration was about looking at women who all looked the same, the tan – and they were all wearing the same straight blow-dried hair!” she says. “It occurred to me that a lot of them would’ve spent thousands of pounds on the way they look.”

It’s a song that also draws on her own experience in the image-centred industry.

“For a long time I tried to fit in with that,” Eleanor reflects. “Then a few years ago I went off that, I’ll wear what the hell I want. And ironically, I think I look better now than I did ten years ago.

“Don’t get me wrong, if you want to spend thousands of quid, go ahead,” she adds. “Splash out on lipstick, I don’t care. But if you’re going to do that, look different. Do it because that dress is a great shape for your body. Don’t do it because it’s in a magazine.”

Eleanor adjusted her writing habits for the making of I’d Rather Go Blonde.

“Usually I write as it comes to me but, actually, for this album I took a block [of time] and literally locked myself away. I think there were a few reasons for that. My mum just died at the beginning of the year. I was aware that life is short; I felt I had to lock myself away.”

Mother-of-one Eleanor didn’t become a hermit while she was writing (“I still fed and watered my child!” she laughs) but her focus shows in her new batch of songs. She started working on her new material back in January, and found plenty to write about.

“It was an interesting time culturally, because the banks were collapsing, and one of those reports about the Church was out,” she says. “Half the country was under water and the other half was going without water – there were huge water shortages in Dublin, for example.”

In Deliver Me, Eleanor tackles the Church head on. The songwriter is dismayed at the hierarchy, and firmly espouses the separation of Church from State.

“Well, we are supposed to be a secular society,” she says. “There is separation. It doesn’t work that way but by law we’re supposed to be. I have no room for the Church while they continue what they are doing. They have not admitted that they covered up, that the cover-up was systemic.”

For more, read this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr

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Date Published: 23-Jan-2013

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Athenry fail to take chances as they bow out of Junior Cup

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Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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