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Edgy Sleaford Mods don’t do ‘nicey-nice’

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Sleaford Mods, who play the Róisín Dubh next Thursday, December 4.

The Groove Tube with Jimi McDonnell

Sleaford Mods, who play Róisín Dubh on Thursday, December 4, are an in-your-face fusion of punk and spoken word. Jason Williamson fires relentless observations of urban English life over Andrew Fearn’s no-frills drum, bass and guitar loops.  Jason is not shy with expletives and some may find his on-stage style confrontational.  Are people ever taken aback by Sleaford Mods?

“A lot of the time,” Jason says. “Offended by it, or people don’t like what I say. But we’re in an environment where everybody’s really nicey-nice to each other. It should change. Start telling people what you think, talk about the environment around you – which isn’t very good. None of that goes on, nobody’s saying anything.”

Earlier this year The Guardian ran a piece tipping Sleaford Mods for a prestigious Mercury Prize nomination. They missed out, but Jason wasn’t too bothered by not making the cut.

“That thing’s the kiss of death, innit?” he says, possibly referring to an act like Speech Debelle, whose career nose-dived after she won in 2009. “I think the board were just scrabbling for something, trying to make themselves look a bit edgier. Stuff like FKA Twigs is all very well, but it’s pretty much the same thing.  Not very inventive, the songs aren’t saying anything.

“The music speaks better than an award. An award’s not going to sell your records, the only thing that will is good songs.”

Sleaford Mods certainly have those. The sublime Liveable Shit latter contains this great line: ‘Like three months of rain, no one likes a Tory reign/The Prime Minister’s face hanging in the clouds like Gary Oldman’s Dracula.’

“That line came out of just walking down the street and you kind of connect things,” Jason says. “You start off with one subject, connect it with another, and just patchwork it like that. Most of it is entrenched in social observation. You can pretty much run free with that.”

Jason rails against the Tory government and a docile society on Divide And Exit. But he’s wary of the modern way to air discontent, as he shows with the lyric: ‘To disagree on social network sites is to kill the counterculture.’

For more, read this week’s Connacht Tribune.

CITY TRIBUNE

Reeling in the years to celebrate iconic album

Judy Murphy

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Pearse Doherty, John ‘Turps’ Burke, Johnny Donnelly, Davy Carton and Leo Moran on stage at the Warwick, for the album’s back cover. PHOTOS: FRANK MILLER.

In the late 1980s and early 1990s Galway City was on a creative roll, with the Arts Festival and theatre groups such as Druid, Punchbag, Na Fánaithe and Macnas expanding our creative horizons in all directions.

Down in the Quays Bar – then very much a local pub renowned for the calibre of its music sessions – a group from Tuam was creating waves and attracting fans, including Mike Scott of the Waterboys.

That group was the Saw Doctors, “all the way from Tuam”, and Mike Scott had encountered the lads when his band was in Spiddal, making the album Fisherman’s Blues.

They ended up supporting the Waterboys on a tour of Ireland and the UK and, in 1989, Mike Scott produced their debut single, N17, in Dublin’s Windmill Lane. Leo and Davy’s song about youth and emigration captured the experience of so many young people at that time – but it didn’t capture the public imagination. After a few radio plays, it faded away quietly.

“As a teenager, you’d have a dream of having a hit single,” recalls Leo Moran of that debut release. “But when you are writing songs, you become a bit more practical. And we were older and were gone beyond pop-star dreams.”

Their aim was simple.

“Our ambition was to put out a single.”

The group, then made up of Davy, Leo, John ‘Turps’ Burke, Pearse Doherty and Johnny Donnelly, had to earn a living too, and that wasn’t always easy.

For more, read this week’s Connacht Tribune.

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CITY TRIBUNE

Legendary trio for live Town Hall concert

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Máirtín O'Connor who will be joining forces with Frankie Gavin and Johnny Duhan for the concert on July 3.

Fans of quality music who have been pining for live gigs can look forward to Saturday, July 3, when Frankie Gavin, Máirtín O’Connor and Johnny Duhan will be on stage at the Town Hall Theatre at 8pm, for a one-off concert, Part of a Tribe.  The venue will have a limited capacity of 50 people and the concert will also be livestreamed.

Each of the three will perform solo works and collaborate on well-known instrumental pieces.

Tunes will include The Road West, The Queen of Sheba, The Belfast Hornpipe, Thomond Bridge, Joe Cooley’s Reels, and songs like The Voyage, Don’t Give up til it’s Over and The Beacon.

Part of a Tribe comes from the title of a song that the three musicians recorded with the cream of Galway’s folk and traditional musical community some years ago for St Vincent de Paul. Its theme of co-operation and team spirit is especially relevant as the country moves out of the shadow of Covid-19.

The concert will last 70 minutes and there will be no interval and no bar.

The maximum number of tickets that can be purchased per person is four. They cost €25 for the in-person event. Online tickets are €15/Online household €20.

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App

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CITY TRIBUNE

‘Cowgirl’ love song that hits all the right notes

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The Raines, from left, Yvonne Tiernan, Ruth Dillon and Juliana Erkkonen.

The wonderfully titled Love is sublime (til it draws out its gun) is the latest single from Galway based folk-Americana trio, The Raines. Launched on Friday, it went straight to number one on the iTunes singer-songwriter charts in Ireland and number 12 in the overall charts.

It follows their debut single, 2020’s Bare Feet on Grass, which also reached number one in the iTunes singer-songwriter Chart and was Song of the Week on RTE.ie’s culture section, with over one million impacts on Irish radio.

The Raines are Ruth Dillon, Juliana Erkkonen and Yvonne Tiernan, all terrific performers in their own right.

Ruth (vocals, guitar, ukulele) who toured and recorded with Dolores Keane, is a former member of The Molly Hicks, and has three solo albums of her own. Juliana (fiddle and vocals) has been at the forefront of Ireland’s Americana musical scene and released seven albums with various groups, including one solo album.

Yvonne Tiernan (vocals and ukulele) has toured as lead singer with ‘The Chieftains’.

This up-tempo summer single again showcases the beauty of their vocal harmonies, strings and their overall rapport.

For more, read this week’s Connacht Tribune.

Connacht Tribune Digital Edition App

Download the Connacht Tribune Digital Edition App to access to Galway’s best-selling newspaper.

Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

Or purchase the Digital Edition for PC, Mac or Laptop from Pagesuite  HERE.

Get the Connacht Tribune Live app
The Connacht Tribune Live app is the home of everything that is happening in Galway City and county. It’s completely FREE and features all the latest news, sport and information on what’s on in your area. Click HERE to download it for iPhone and iPad from Apple’s App Store, or HERE to get the Android Version from Google Play.

 

 

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