Classifieds Advertise Archive Subscriptions Family Announcements Photos Digital Editions/Apps
Connect with us

Archive News

Declan comes home to Galway with dramatic Arts Festival hit



Date Published: {J}

One of the big hits of the Arts Festival’s first week was Freefall, an imaginative and insightful drama about a middle-aged Irishman who suffers a stroke.

It mightn’t sound the most engaging of stories, but the excellent script, combined with the play’s use of flashback and video made this a highly moving piece.

The cast for the Galway production of Freefall included Loughrea born actor Declan Conlon, returning to his home county with his second successful theatre production in a matter of months; he was here in May with Bespoke Theatre’s production of Tom Murphy’s Sanctuary Lamp, directed by the playwright.

Declan was a latecomer to Freefall, which premiered at last year’s Dublin Theatre Festival, winning Best Director and best New Play at the Irish Times Theatre Awards.

When the play was revived for the current production he had just a week to rehearse the show before Corn Exchange travelled to a theatre festival in Germany, prior to their Galway appearance. With just a two-and-a-half hour rehearsal there to iron out technical problems Declan really was thrown in at the deep end.

“It was very nerve wracking,” he says but the adrenaline kicked in and carried him through. And the audience loved it, something that was reflected here in Galway.

Declan, who is one of the country’s finest actors, was suitably slick and oily in Freefall as the cousin of A, the man who suffers the stroke. This oily behaviour included having a little sexual liaison with A’s wife the night before A’s stroke.

The Loughrea man’s ability to play shifty characters also made him perfect for Francisco in Tom Murphy’s The Sanctuary Lamp, which visited Galway’s Town Hall in May. He is a big fan of the Tuam born playwright and says that for somebody who spent six years as a boarder in St Jarlath’s College in Tuam, playing Francisco was “cathartic”.

On a more serious note Declan loves Murphy’s plays. He previously appeared in a production of The Sanctuary Lamp in Manchester some years ago, but being directed by Tom Murphy gave him a deeper insight into this extraordinary play, which features three dysfunctional characters who take refuge in a church.

He also appeared in last summer’s Abbey Theatre production of Murphy’s play, The Last Days of a Reluctant Tyrant, again directed by the writer.

The family drama, based on a 19th century Russian novel “was a huge epic piece of theatre, much more in the European canon and it was a shame it didn’t travel anywhere. It would have been a great Abbey play to tour to other European cities”, he feels.

For more, read this week’s Connacht Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

Continue Reading

Archive News

Real Galway flavour to intermediate club hurling battle in Birr



Date Published: 23-Jan-2013


Continue Reading

Archive News

Athenry fail to take chances as they bow out of Junior Cup



Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

Continue Reading

Local Ads

Local Ads