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De Dannan launch WonderWaltz with no looking back in anger



Date Published: {J}

WonderWaltz, the new offering from de Dannan is being launched this week.

This is the de Dannan that boasts two founders of the original group, Alec Finn on bouzouki and Johnny ‘Ringo’ McDonagh on bodhrán, as well as Derek Hickey on accordion, Brian McGrath on banjo and piano, and Eleanor Shanley on vocals – all three were members of the band at different stages. The fiddle player is Mick Conneely, who frequently served as the group’s replacement fiddle player in years past and “knows more about the band than any of us”, according to Alec Finn.

The third co-founder of the original band, Frankie Gavin is not part of this line up, having set up his own group, Frankie Gavin and de Dannan last year.

The existence of two de Dannans can be a bit confusing for the average music fan, but as Alec points out, the WonderWaltz line up consists of people who were in de Dannan at some point in their careers, so he is happy that they really are de Dannan.

Apart from Mick Conneely, all the other members have been permanent members of the group, and Mick was a regular stand in when Frankie was unavailable, explains Alec. “We are perceived as being de Dannan because we are.”

“The other [group] came about because of Frankie putting a band together and calling it de Dannan,” adds Ringo.

That out of the way, it’s back to talking about the latest album, WonderWaltz. It arose from a benefit concert last Christmas for Changing Minds, a charity established by de Dannan’s former road manager Dave Barry to help people suffering from mental illness.

At the time of the gig there were no plans for an album, but the response was so good that the idea of one took root, says Ringo. “A lot of the old de Dannan fans were there and there were a lot of requests to do it again.”

So they headed into studio, to create the familiar de Dannan sound of bouzouki, fiddle and bodhrán, supported by banjo, accordion and piano.

WonderWaltz has a fine selection of traditional tunes including The Old Claddagh Ring, The Turnpike Gate and The Kilavil Fancy.

When it came to selecting tunes, Ringo, Mick and Brian came up with most of the ideas, although all the band members agreed the final selection of hornpipes, jigs, reels and waltzes.

“We were looking for old tunes and keeping old sounds,” says Ringo while Alec adds that, for that reason, the group doesn’t ever use rhythm guitar.

For more, read this week’s Galway City Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past



A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.


For more from the archives see this week’s Tribunes here

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr



Date Published: 23-Jan-2013


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Athenry fail to take chances as they bow out of Junior Cup



Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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