Date Published: 18-Sep-2009
The City Council – owed around €18m in rates arrears – have this week been asked not ‘to flog businesses to death’ that haven’t a cent in their coffers to meet their debts.
A perilous financial situation for the City Council has been exacerbated by the fact that only €22m out of a total commercial rates accrual of €40m has so far been paid.
The Galway City Tribune has learned that some businesses in arrears have received legal notices from the City Council demanding the payment of their rates bill.
In some of those cases, the businesses in the past had paid their bills in full in December, but now the City Council are demanding a quicker payment of the monies owed.
However former mayor of the city, Cllr. Padraig Conneely, told the Galway City Tribune there was absolutely no point in trying to ‘flog businesses to death’ that simply didn’t have any money at present to meet their rates arrears.
He said that it was his clear understanding this week that out of a total rates bill of €40m owed to the City Council, only €22m had been paid up to date and there were strong indications that there would be a ‘real difficulty’ in collecting the outstanding €18m.
“It is just a fact of life that retailers and businesses across the city are in major financial difficulty due to the current recession – the City Council will have to apply some discretion and put in place a staged or instalment payment system.
“There is just no other way to go. Taking blanket legal action against businesses that are just hanging on by a thread will only hasten their demise. The City Council must use discretion and common sense,” said Cllr. Conneely.
The scale of the financial crisis will be outlined to councillors at their first meeting of the new Council at City Hall on Monday evening with the circulation of a mid-year financial report on the local authority’s revenue budget.
One of the city’s best known businessmen, Joe Carroll, Managing Director of Zhivago Records told the Galway City Tribune that the City Council needed to talk to businesses and their representatives before embarking on a course of threatening legal action.
“Businesses have endured wage cuts, a reduction in hours and the loss of jobs in a bid to stay afloat at a time when rents are still high and turnover is down on average by 25 to 30%.
“The City Council will have to come at least half way in terms of meeting with us and talking to us about the scheduling of our payments.
“There’s no certainly no point in the City Council using a hammer to crack a nut. Retailers and businesses in the city are at the ‘pin of their collar’ to keep going – the very least we might expect from the City Council is for them to come and talk to us,” said Joe Carroll.
Michael Coyle, Chief Executive of Galway Chamber of Commerce, told the Galway City Tribune that in cases where businesses and retailers were willing, but unable to, make their rates payments on schedule the City Council had to make an allowance in such cases.
“We are talking here about very responsible people, who in the past would have made their payments on time, but who cannot do this year because of the well documented economic downturn and cashflow crisis.
“The local authority must take into account the nature and scale of the current economic crisis and allow for a scheduled basis of rates payments,” said Michael Coyle.
He said that given the current economic situation, any mention of an increase in rates for the coming year would be ‘utterly resisted’.
The way we were – Protecting archives of our past
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Call for poets to enter new competition
Date Published: 24-Jan-2013
Galway University Hospitals Arts Trust is seeking entries for a new poetry competition.
The winner will have her or his poem published and displayed on the Arts Corridor of University Hospital Galway as part of the 2013 Poems for Patience. This is a long-running series which has previously featured work by leading Irish and international poets including Seamus Heaney, Philip Schultz, Michael Longley, Vona Groarke, Jane Hirschfield and Tess Gallagher.
The winner will be invited to read her or his winning poem in April, at the launch of the Poems for Patience during the Cúirt International Festival. Prizes also include accommodation in Galway for one night during Cúirt.
Poems should be less than 30 lines long and must be the entrant’s original work. The entry fee for one poem is €10. For two or more, the entry fee is €7.50 per poem. Payment should be made by cheque or postal order to Galway University Hospitals Arts Trust. The closing date is Friday, March 1.
The judge is Kevin Higgins author of several books of poetry and Writer-in-Residence with Galway University Hospitals Arts Trust.
Entries should be posted to Margaret Flannery, Arts Director, Galway University Hospitals Arts Trust, Galway University Hospitals, University Hospital, Newcastle Road, Galway. Entrants should put their names and contact details on a separate sheet.
The true story of the saint that the church wanted to airbrush
Date Published: 30-Jan-2013
Italian saint, Francis of Assisi will get a new lease of life in Francis, the Holy Jester, a free one-man show being performed at Muscailt Arts Festival on February 5.
The play about the renowned saint, who died in 1226 was written by Italian Nobel prize-winner Dario Fo, and this performance is by Mario Pirovano, a long-time collaborator with Fo, who translated the piece into English.
It embraces papal history, biblical stories, and controversial Italian politics while exploring the life of one of the Catholic Church’s most famous saints. It also shows how the medieval Church was so afraid of Francis and his relationship with ordinary people that it set about sanitising his legacy and elevating him above the reach of his followers.
Mario, who lives near to St Francis’s home of Assisi, speaks eloquently and passionately about the saint and the way that Dario Fo has brought the Francis’s message to modern audiences in a timeless, dramatic way, while casting new light on the famous Italian Franciscan monk.
But first, he explains why this was necessary.
Francis was born at the end of the 12th century and died at the age of 46. By then, he had created great embarrassment for the Church, simply because of the way he lived his life, explains Mario. He treated people in a genuinely Christian way and wanted to tell the Gospels in people’s own language rather than in Latin.
The Church hierarchy – what an awful word, he says – decided to rewrite the story of his life and, 50 years after his death, only one official account of his life was permitted by the authorities. That was written by a fellow Franciscan, St Bonaventure, who had been ordered to destroy many of Francis’s papers and write a sanitised biography. All other books on him were deemed heretical.
The Church was afraid of him, stresses Mario, and so decided to distance him from the ordinary people, by canonising him shortly after he died. Francis was the fastest saint ever produced in the history of the Church, being canonised within three years of passing on, says Mario. That took him away from ordinary people, as they felt they couldn’t aspire to such greatness.
For more, read this week’s Connacht Tribune.