Date Published: 18-Aug-2010
The folk/bluegrass Southern Tenant Folk Union band will make a welcome return to Galway on Tuesday, August 31 with a concert in the Crane Bar. After years spent playing in the folk scene in London, the band is now based in Edinburgh. What prompted this move north?
“My wife is from Edinburgh,” explains Pat McGarvey, the banjo-playing band leader by phone from Scotland. “We were kind of having a long distance relationship thing. She moved to London; then when she got pregnant – with our son Johnny – we decided to move here.”
This move meant a long commute for Pat and, ultimately, led to some changes within Southern Tenant Folk Union.
“For about a year and a bit I was going backwards and forwards between rehearsals and gigs,” he says. “Eventually some of the guys said they wanted to move on to other things. It ended up that I had to recruit almost a completely new band. That was just over a year ago.”
Fortunately for Pat, he found himself living in one of Scotland’s cultural hot spots.
“I was kind of lucky with where my wife is from because Edinburgh’s actually packed full of folk musicians,” he says. “They come more from the Scottish traditional angle but I kind of took advantage of that when making this new album.”
The album Pat is referring to is The New Farming Scene, which sees Southern Tenant Folk Union merge American bluegrass with its Scots/Irish origins. Pat explains how Roddy Nielsen, the band’s fiddle player, inspired him to find the title for their third album.
“We were actually on tour in Ireland, staying on a farm in Cork, and he wrote this instrumental,” he says. “He gave it a real silly title and I thought it’s actually is a beautiful piece of music. I said ‘look Roddy, you should write some lyrics for that. Or let me’. A few months later I thought just do it and see if he likes it.”
Given that most of the band members have been replaced since the last Southern Tenant album it’s no surprise there’s been a change in their sound. With such a talented group at his disposal, however, Pat didn’t have too many difficulties in achieving the folky tone he was after, although it did require a fresh approach.
“Any small change can make a big difference,” he says. “It’s not really telling people what to play – it’s sometimes telling people what not to do. To try and keep some of the purity of the folk sound and not have it too singer/songwritery.”
The mandolin playing of Adam Bulley is an impressive new element of the revamped Southern Tenant Folk Union.
For more, read this week’s Connacht Tribune.
The way we were – Protecting archives of our past
People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.
Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.
She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.
Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.
Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.
When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.
Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.
And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.
All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.
“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”
That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.
For more from the archives see this week’s Tribunes here
Real Galway flavour to intermediate club hurling battle in Birr
Date Published: 23-Jan-2013
Athenry fail to take chances as they bow out of Junior Cup
Date Published: 29-Jan-2013
Athenry FC 1
Kilbarrack United 2
(After extra time)
For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.
On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.
An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.
However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.
They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.
With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.
Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.
Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.
Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.
For more, read this week’s Connacht Sentinel.