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After twenty years Sarah lands dream role in Druid

Bernie Ni Fhlatharta

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Date Published: 04-Apr-2013

 Sarah Lynch has been living and breathing Druid Theatre since she wangled a job as a runner fresh out of college two decades ago at age 20. After holding down just about every role imaginable there – from company manager to director to stage manager – her appointment as general manager to one of the country’s most prestigious theatre companies last October seemed almost inevitable.

Because once she had tasted the fruit of Druid she was going nowhere . . . and going everywhere. Sarah’s tenure at Druid since 1998 has brought her on a journey that has reached just about every corner of the globe and almost all the islands off Ireland in between.

After graduating from Limerick with a degree in French and English Sarah spent a stint teaching in a secondary school. But it immediately became clear that wasn’t the road for her.

“One thing I was always certain of was I’d be involved in the performing arts, whether on stage or off stage or behind it. The immediate reaction of the audience is such a buzz,” she grins.

Her earliest memory was of her grandfather, Bud Clancy, on stage with his trumpet and dance band. “I must have been three or four because he died shortly after that. But it never left me. I got bitten by the bug. I started playing the trumpet. A friend of my grandfather taught me how to play and I was with the Limerick brass and reed orchestra known as the Boherbuoy Band, I was just a kid with all these adults.”

She learned to play other brass instruments such as the French horn and cornet before turning her hand to the guitar and song-writing. “I taught myself guitar. Sometime I tinker on the piano and I think that’s my next instrument. I love percussion. You can’t get me off a drum kit for love or money. Many is the night I’ve made a fool of myself on one of those,” she laughs.

In 2010, Sarah released her debut album, Letter to Friends, which was launched by playwright Enda Walsh, whose short play, Lynndie’s Gotta Gun, she had directed as part of the 2008 Galway Arts Festival.

The collection of songs was produced by Wayne Sheehy, a musician she had met when opening for Juliet Turner on Turner’s Burn the Black Suit tour.

“I could probably have done it ten years ago but for the manic schedule with Druid and touring so much,” she reflects. “I haven’t done much with it since. I used to play gigs in the Róisín Dubh. The bigger twin is theatre at the moment. The bigger twin bullies the other twin. You don’t get much time to do music.”

After fleeing the classroom, Sarah knocked on the door of a former college mate, Andrew Flynn, now with the Galway Youth Theatre, who kindly offered up his couch. He also managed to get her a job as a runner – the person who does everything from making tea to helping with props – on a Druid production of As You Like It.

“I remember working with Mark O’Halloran, I had great fun with him. There was Helen Norton, it was Maeliosa Stafford directing. He’s coming back to the Druid after ten years to star in Tom Murphy’s A Whistle in the Dark. He left me as a runner, now I’m general manager.”

Much of Sarah’s time behind the scenes at Druid has been spent on the road. In 2009 alone, Druid toured to Australia, Canada, the UK and the USA presenting 364 performances in 26 venues.

Indeed so much of life has been out spent living of a suitcase that she gave up her base in Galway to move back in with her family in Caherdavin, on the Galway side of Limerick city.

The tour of the Cripple of Inishmaan by Martin McDonagh was so long the crew were instructed to pack two suitcases, one with summer clothes, the other winter gear, as they would be spanning the seasons. Her job now entails a lot of commuting, but driving is where she gets a lot of thinking done.

Sarah’s decision to apply for the more home-based job of general manager was one she made discreetly while on the Druid Murphy tour around the US. She had to undergo her interview in between shows at the Lincoln Center in New York. It was the most nerve wrecking experience of her life, she admits.

For more, read this week’s Galway City Tribune.

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Moment of truth for Galway U21s

Bernie Ni Fhlatharta

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Date Published: 01-May-2013

 Dara Bradley

FOUR matches, four victories, one after extra-time, a Connacht title, four goals and 56 points scored, four goals and 30 points conceded, a heap of wides from their opponents, sinews strained, buckets of sweat and blood spilled.

It’s been one hell of a roller coaster campaign for the Galway U21 footballers but all that will be forgotten come 7pm on Saturday evening at the Gaelic Grounds, Limerick when they cross swords with Cork for the honour of being crowned Cadbury’s All-Ireland champions.

Six weeks ago as Galway set out on their 2013 U21 journey against Sligo in Tuam, the May Bank Holiday weekend final was always the target. They took each game as it came and now it has come down to this – 60 minutes of football to decide who the best U21 team in the land is.

And while there were times along the way when Alan Flynn’s charges looked like they’d fall off the wagon, against Mayo, against Roscommon and again against Kildare, Galway showed resilience and mental strength to time and again bounce back and defy the odds. Often down, never out. It is that perseverance that will stand to Galway in the heat of battle this weekend.

Cork has won an All-Ireland at this grade more times than any other county since the competition’s inception in the 1960s. The most recent of their 11 titles was won in 2009, and they’ve claimed a three-in-a-row of Munster titles with a defeat of Tipperary last month.

Interestingly, five players – Alan Cronin, Jamie Wall, John O’Rourke, Tom Clancy and Damien Cahalene, the son of former inter-county player Niall – that are expected to start this Saturday lined out in each of the last three Munster finals, so they have experience of playing in the pressure cauldrons.

Galway aren’t as experienced. True, a couple of players already have a All-Ireland medal from 2011 – a year Galway beat Cork in the semi-final – but there are a lot of young guns in the panel. Of the squad of 33, about 19 of them are young enough to play U21 next year as well, while eight or nine of the starting 15 will be eligible next year, although you wouldn’t think it given the levelheadedness they’ve displayed throughout the past six weeks.

Galway had plenty to spare over a hapless Sligo outfit in Tuam the first day out, winning by 16 points, which didn’t flatter them, but old rivals Mayo in the following game at the same venue was a different story. After a tense and tight hour of fare, Galway took the spoils after showing immense character to dig it out by two points in a dogfight, 0-9 to 0-7.

Fighting qualities were needed again in the Connacht final in Hyde Park against Roscommon – Galway were minutes from being knocked out of the championship when a heroic comeback, three points in as many minutes from Kilkerrin/Clonberne’s Shane Walsh, rescued extra-time, a period which Galway never looked like losing.

The Tribesmen took their chances when they presented themselves, a trait that also saw them knock-out Kieran McGeeney’s highly rated and much fancied Kildare outfit in a thriller at Tullamore a fortnight ago.

The Lilywhites were wasteful, true, but that’s their problem, and Galway just had too much natural footballing class to take their chances and emerge with a deserved five points, 2-10 to 2-5 victory, despite 19 wides from the vanquished.

For more, read this week’s Connacht Tribune.

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GalwayÕs U-13 and U-16 sides both through to national finals

Bernie Ni Fhlatharta

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Date Published: 14-May-2013

Mike Rafferty

It proved to be a very successful weekend for Galway Schoolboy soccer as two representative sides qualified for national finals at the end of the month.

It was drama all the way in Eamonn Deacy Park on Saturday afternoon as the U-13 side drew 1-1 with the Midlands League, but came through the dreaded penalty shootout to prevail by 5-4.

 

Meanwhile the U-16 side had to travel to Cork, where they emerged 2-1 winners following a very impressive performance. For the second game in succession, it was the goals of the Connolly brothers that proved crucial to both team’s success.

Andrew lines out with the U-16 side and he notched both their scores in terrific away win, while younger brother Aaron was on target for the U-13 side and also converted the winning spot kick.

Mervue United captured a third consecutive Connacht Youth Cup with an impressive 4-1 win over Castlebar Celtic in Milebush on Saturday.

SFAI U-13 INTER LEAGUE SEMI FINAL

Galway League 1

Midlands League 1

(AET-Galway won 5-4 on pens)

A low scoring contest might indicate few chances, but one has to credit two outstanding defences whose splendid covering and marshalling of the front men was a joy to watch.

Galway’s Oisin McDonagh and Adam Rooney never put a foot wrong in central defence, while full-backs Byron Lydon and Matthew Tierney were equally efficient in defence, and getting forward with regular forays.

Further afield, they matched the visitors in terms of intensity and creativity and in the second half in particular should have pulled away from a Midlands side that won the U-12 national title last year.

The visitors certainly offered the greater attacking threat in the opening half, but found home custodian Mark Greaney in top form. Galway’s best chance fell to Joshua Quinlivan, but he pulled an effort wide of the target.

For more, read this week’s Connacht Sentinel.

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