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Acclaimed ballet Romeo and Juliet for Town Hall Theatre

Bernie Ni Fhlatharta

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Date Published: 26-Apr-2012

Ballet Ireland, The National Ballet of Ireland, will visit Galway’s Town Hall Theatre on Tuesday, May 1 at 8pm with its hugely successful production of Romeo and Juliet. The visit is part of a tour of six leading nationwide venues.

This work was first choreographed for Ballet Ireland by Morgann Runacre-Temple in 2010 and this national run is being undertaken due to demand by theatres and audiences.

Romeo and Juliet, the ballet is based on Shakespeare’s tale of the star-crossed lovers, and like the original play, is one of the greatest love stories of all time. Against a backdrop of ancient feuds and gang warfare, the ill-fated young people fall instantly and hopelessly in love. But their families are bitter enemies, and in order to be together the two lovers must be prepared to risk everything.

This production of Romeo and Juliet set to Sergei Prokofiev’s incredible score, will be performed by 16 top professional dancers, who have trained in the finest schools all over the world. The cast will be led by Dublin born, Zoe Ashe-Browne who created the role of Juliet in the original production, while Romeo will be played by David Horn.

Described by the Irish Times as “Ireland’s finest full-length production to date. Ashe-Browne and Horn deliver heart-stopping interpretations of the final scene. Runacre-Temple taps into a zeitgeist that so many other ballet companies desperately want to access right now. Runacre-Temple gets it”.

Morgann Runacre-Temple is choreographer in residence at Ballet Ireland and has made over nine works for the company. Her works have been performed at The Gaiety Theatre Dublin, Tate Modern, Royal Opera House 2, National Concert Hall Dublin and The Royal Academy of Music and The Place Theatre, London, Prejlocaj Theatre, Marseille, and have been toured nationwide in UK and Ireland.

 

Morgann was chosen as one of four choreographers to participate in Dancelines 2009 at The Royal Opera House with the Royal Ballet’s resident choreographer, Wayne McGregor. She will return to the Royal Opera House stage later this year to choreograph work for Royal Ballet dancers.

Tickets for the show at the Town Hall Theatre from 091 569777 www.tht.ie or at the venue

Galway in Days Gone By

The way we were – Protecting archives of our past

Judy Murphy

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A photo of Galway city centre from the county council's archives

People’s living conditions less than 100 years ago were frightening. We have come a long way. We talk about water charges today, but back then the local District Councils were erecting pumps for local communities and the lovely town of Mountbellew, according to Council minutes, had open sewers,” says Galway County Council archivist Patria McWalter.

Patria believes we “need to take pride in our history, and we should take the same pride in our historical records as we do in our built heritage”. When you see the wealth of material in her care, this belief makes sense.

She is in charge of caring for the rich collection of administrative records owned by Galway County Council and says “these records are as much part of our history as the Rock of Cashel is. They document our lives and our ancestors’ lives. And nobody can plan for the future unless you learn from the past, what worked and what didn’t”.

Archivists and librarians are often unfairly regarded as being dry, academic types, but that’s certainly not true of Patria. Her enthusiasm is infectious as she turns the pages of several minute books from Galway’s Rural District Councils, all of them at least 100 years old.

Part of her role involved cataloguing all the records of the Councils – Ballinasloe, Clifden, Galway, Gort, Loughrea, Mountbellew, Portumna and Tuam. These records mostly consisted of minutes of various meetings.

When she was cataloguing them she realised their worth to local historians and researchers, so she decided to compile a guide to their content. The result is For the Record: The Archives of Galway’s Rural District Councils, which will be a valuable asset to anybody with an interest in history.

Many representatives on these Councils were local personalities and several were arrested during the political upheaval of the era, she explains.

And, ushering in a new era in history, women were allowed to sit on these Rural District Councils – at the time they were not allowed to sit on County Councils.

All of this information is included in Patria’s introductory essay to the attractively produced A4 size guide, which gives a glimpse into how these Rural Councils operated and the way political thinking changed in Ireland during a short 26-year period. In the early 1900s, these Councils supported Home Rule, but by 1920, they were calling for full independence and refusing to recognise the British administration.

“I love the tone,” says Patria of the minutes from meetings. “The language was very emotive.”

That was certainly true of the Gort Rural District Council. At a meeting in 1907, following riots in Dublin at the premiere of JM Synge’s play, The Playboy of the Western World the councillors’ response was vehement. They recorded their decision to “protest most emphatically against the libellous comedy, The Playboy of the Western World, that was belched forth during the past week in the Abbey Theatre, Dublin, under the fostering care of Lady Gregory and Mr Yeats. We congratulate the good people of Dublin in howling down the gross buffoonery and immoral suggestions that are scattered throughout this scandalous performance.

 

For more from the archives see this week’s Tribunes here

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Archive News

Real Galway flavour to intermediate club hurling battle in Birr

Bernie Ni Fhlatharta

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Date Published: 23-Jan-2013

images/files/images/x3_Courthouse.jpg

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Athenry fail to take chances as they bow out of Junior Cup

Bernie Ni Fhlatharta

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Date Published: 29-Jan-2013

Athenry FC 1

Kilbarrack United 2

(After extra time)

For the second year in succession Athenry were done in extra time in the FAI Junior Cup as last season’s beaten finalist’s came from behind to snatch an excellent game in Moanbawn on Sunday afternoon.

On a heavy pitch that was only playable following extensive groundwork by club officials all morning, the home side were by far the better side in the opening half, but failed to take advantage of a number of opportunities that came their way.

An Alan O’Donovan penalty gave them a merited advantage just after the restart, but thereafter were on the back foot as Kilbarrack took over, but for all their pressing, the home rearguard were dealing comfortably with their forays.

However they were struck a body blow just six minutes from time, as big striker Keith Kirwan was left all alone at the far post to head the equaliser and from that point on the Dubliners were the better side.

They started off the extra time in the ascendancy and enjoying all the momentum before striking for a good winning goal on 104 minutes. A strong bench allowed them to make some necessary changes and it was not a facility that was available to Athenry manager Gabriel Glavin.

With Gary Forde and Gary Delaney out through suspension following their sending off against OLBC in the previous round, and Seamie Crowe injured, it left their bench rather threadbare with just a number of young squad players available.

Playing with the aid of the slight incline and any wind advantage going, the home side had a Connor Cannon effort on target in the opening minute, while John Meleady was just over with a flick at the other end.

Meleady then tested Andrew Walsh who saved comfortably, before the goalkeeper pulled off a brilliant double save on 14 minutes.

Firstly he went full length to push away a Meleady shot and was then back on his feet to parry David Jackson’s close-range rebound.

For more, read this week’s Connacht Sentinel.

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